Great Photography and Camera Deals

Photography Fundamentals - Concentrate On Focusing!

When you're taking photographs there might be a lot to consider. Is it necessary the composition right? Have i got a priority? Have I selected all of the correct configurations for the kind of shot? And in the end this, you've still got to make certain one last photograph will probably be superbly in focus. This photography fundamentals article will concentrate on focusing, with an introduction to the options you've to be able to have the correct focus for the kind of shot you're taking.

Generally the digital camera will focus whenever you press the shutter midway. This is exactly what is known as Auto-focus (AF). AF is perfectly acceptable when you're taking photos of subjects that don't move about (like a portrait, or perhaps a landscape). Based on your kind of camera this might be known as One Shot AF or Single Shot AF.

Whenever your subjects are mobile, there's another kind of AF you should use, Continuous Auto-focus (CAF). Within this mode the digital camera is going to be constantly focusing about them, which is fantastic for moving targets, for example speeding cars or sports athletes. You will find a few disadvantages, like the batteries they are under constant strain all the focusing and refocusing. Make sure to take spares within this situation. There's also the risk of some noise inside your pictures triggered through the constantly modifying focus, in addition to a small rise in general deterioration about the camera's mechanism.

Understanding what focus type to select is a factor, but exactly how does your camera know you want to pay attention to Aunt Bessie, and never the trees which are behind her? To comprehend this we have to comprehend the photography fundamentals that determine the focus (or focus area) your camera is selecting.

The truth is, the digital camera doesn't know (as well as care) what your subject is. Why wouldn't it - it is a machine in the end! Your camera is made to setup an emphasis point, or areas, inside the frame from the shot. Standard AF chooses a comparatively wide area surrounding the center from the frame because of its focus. You'll normally check this out like a rectangle or brackets inside your viewfinder or LCD screen. In case your camera has Center Focus (CF), the region of focus is reduced to some square. CF might be used, for instance, when separating one individual from the crowd of individuals.

Finally, some cameras go another step and can include an element referred to as Multipoint Focus (MF). Within this situation, your camera can choose from numerous areas inside the frame, to ensure that the digital photographer doesn't necessarily need to have the center point because the area in focus. Numerous modern compact cameras make use of a variation of the to create Face Recognition, to ensure that the photograph is going to be centered on peoples' faces. This function is especially helpful at social events in which the digital photographer really wants to easily, and rapidly, take shots of buddies and family.

Hopefully, these statements have assisted you to definitely understand a few of the photography fundamentals concerning the way the digital camera translates focus points, and the kinds of auto-focus options available for you for you.

About the Author

Discover how easy it is to take professional looking photographs simply by learning a few
Photography Basics
. Please check out
http://www.photographycourseonline.info
for further information.

Patricia Sanders Flowers - Focus on a Ladybug in a Poppy- Flowers- Floral Photography - Mugs Focus on a Ladybug in a Poppy- Flowers- Floral Photography Mug is new. Why drink coffee out of an ordinary mug when an imprinted mug is so much cooler? Microwave safe, FDA approved. Image is printed on both sides of the mug. Dishwasher use is not recommended....

Patricia Sanders Flowers - Focus on a Ladybug in a Poppy- Flowers- Floral Photography - Tile Napkin Holders Focus on a Ladybug in a Poppy- Flowers- Floral Photography Tile Napkin Holder is measuring 6w x 6h x 4d. Made from high quality solid maple wood with satin finish and two 4.25 commercial grade mirror gloss ceramic tiles. Holds napkins, mail, letters or files. In addition, customized engraving, on the face of the item, is available on request....

Patricia Sanders Flowers - Focus on a Ladybug in a Poppy- Flowers- Floral Photography - Trivets Focus on a Ladybug in a Poppy- Flowers- Floral Photography Trivet is measuring 8w x 8h x .75d. Made of solid wood with padding on back that protects your furniture. Framed trivet comes with 6w x 6h ceramic gloss tile attached to the wood frame....

Joby Gorillatorch Adjustable and Flexible Tripod Flashlight, Gray $26.35 With Joby's Gorillatorch adjustable tripod flashlight, you'll be able to tackle a wide range of jobs in dimly lit conditions without having to balance a standard flashlight under the crook of your neck. With its powerful magnetic feet and bendable and flexible legs, you can illuminate virtually any target and keep your hands focused on the job at hand. The Gorillatorch illuminates your target ...

Fantasea Silicon Grease Lubricant, for all types of O-Rings $4.95 The Fantasea silicone grease is used for lubricating o-rings on underwater cameras, housings and strobes....

Security Lock $36.89 DETAILS: This Projector Cable Lock will protect your investment against theft. Secure your projector to a wall, table, cart, or other object with this cable lock. Product Description InFocus security cable lock Product Type: Security cable lock ALTERNATE ITEM #: SEC-LOCK-01 UPC: 0797212669193...

Visions of Italy $22.82 Take a stunning aerial tour of Italy, from Lake Como and the Alps to the island of Sicily, with these programs filled with sites of natural beauty and man-made wonders. Visit Florence, Venice, Pisa, Rome and more in "Visions of Italy: Northern Style," "Visions of Italy: Southern Style" and "Visions of Sicily." Includes footage not shown on broadcast TV. 4 hrs. total on two discs. Widescreen (Enhan...

Auto Focus $2.79 Auto Focus captures the scandalous private life of Bob Crane, star of the German P.O.W. camp sitcom Hogan's Heroes. Greg Kinnear plays the affable comic actor, who nursed an obsession with sex--pornography, strippers, swinging, domination, and especially the videotaping of his own sexual exploits. His behavior led to the downfall of two marriages and enmeshed Crane in a strangely symbiotic re...

Shoot Great Video with your Canon DSLR Camera (DVD) $29.99 REGION FREE DVD developed for new to intermediate photographers buying their first DSLR cameraIntended for the still photographer moving into video; learn skills and secrets to producing great videoCreates a solid understanding of the camera's features and controls and helps to unleash its potentialSample subjects are: shutter priority aperture priority/depth of field focus alternatives metering a...

Delta Deluxe Focusing Cloth Small 36 x 52 $59.95 For use with view cameras. Inserts behind the film holder to allow the user to view the ground glass. 100% cotton, white inside & black outside with velcro strips that allo w the cloth to close around the camera. includes velcro weights that keep the cloth from flying around in windy situations....

Bower SLY3514C Ultra Fast Wide-Angle 35mm f/1.4 Lens for Canon $499 The ultra fast wide-angle 35mm f/1.4 lens for Canon is a digital lens designed for high-performance photography, particularly in low-light situations. Its advanced aspherical, multi-coated optical glass reduces flare and ensures superior outer edge image quality. This lens boasts brilliant image capture over the entire focusing range as well as excellent bokeh (aesthetic quality of out-of-focus points of light). Includes tulip lens hood and pouch

Bower SLY3514P Ultra Fast Wide-Angle 35mm f/1.4 Lens for Pentax $499 The ultra fast wide-angle 35mm f/1.4 lens for Pentax is a digital lens designed for high-performance photography, particularly in low-light situations. Its advanced aspherical, multi-coated optical glass reduces flare and ensures superior outer edge image quality. This lens boasts brilliant image capture over the entire focusing range as well as excellent bokeh (aesthetic quality of out-of-focus points of light). Includes tulip lens hood and pouch.

Bower SLY3514S Ultra Fast Wide-Angle 35mm f/1.4 Lens for Sony $499 The ultra fast wide-angle 35mm f/1.4 lens for Sony is a digital lens designed for high-performance photography, particularly in low-light situations. Its advanced aspherical, multi-coated optical glass reduces flare and ensures superior outer edge image quality. This lens boasts brilliant image capture over the entire focusing range as well as excellent bokeh (aesthetic quality of out-of-focus points of light). Includes tulip lens hood and pouch.

Bower Ultra Fast Wide-Angle 35mm f/1.4 Lens for Nikon $549 The ultra fast wide-angle 35mm f/1.4 lens for Nikon is a digital lens designed for high-performance photography, particularly in low-light situations. Its advanced aspherical, multi-coated optical glass reduces flare and ensures superior outer edge image quality. This lens boasts brilliant image capture over the entire focusing range as well as excellent bokeh (aesthetic quality of out-of-focus points of light). Includes tulip lens hood and pouch.

Canon 100-300mm F4.5-5.6 USM Lens $319.9 A highly practical, portable telephoto zoom lens at only 4.8" in length. With rear focusing, the lens does not rotate during focusing, retaining any filter effects. Autofocusing is quick and quiet; the powerful, professional ring-USM motor permits fulltime manual focus override. This is the only consumer-grade telephoto zoom lens from Canon with this feature, and it retains the 58mm filter size of the popular 28-105 lens(which also has the ring-USM motor).

Canon 100-400mm f/4.5-5.6 L USM IS Lens ( 2577A002 ) $1589 The 2577A002 Zoom lens - 100 mm - 400 mm - F/4.5-5.6 is the first EF lens with a zoom range from 100mm to 400mm, the EF 100-400mm f/4.5- 5.6L IS USM lens offers high resolution, superb contrast, neutral color balance, and Canon's original built-in Image Stabilizer function. High zoom magnification is achieved by means of a 6-group configuration with 5 movable groups. Fluorite and Super UD glass completely eliminate secondary spectrum for superb color rendition. Autofocusing is fast and silent with Canon's ring USM, and AF speed is further enhanced through an advanced, lightweight rear focusing design that incorporates a floating element for consistent image quality at all focusing distances from 5.9 ft. to infinity. This lens is also equipped with a dual-mode Image Stabilizer suitable for panning as well as stationary subjects. With full-time manual focus, one-touch zooming with a wide grip, and a special ring that permits adjustment of zooming friction, this is a lens that's extremely easy to use, and ideal for a wide variety of applications including nature, wildlife, sports, and documentary photography.

Canon 17-40mm f/4.0L USM AF Ultra Wide Zoom Lens $779 Canon 8806A002 17-40mm F4.0 L USM AF EF Lens is a new and affordable L-series ultra-wide-angle zoom lens that's ideal for both film and digital SLRs. Superior optics are assured by the use of three aspherical lens elements, in addition to a Super UD (Ultra-low Dispersion) glass element. Optical coatings are optimized for use with digital cameras. This lens focuses as close as 11 inches (0.28m), and offers both Canon's full-time manual focus and a powerful ring-type USM for fast and silent AF. It has a constant f/4 maximum aperture, and offers the choice of screw-in 77mm filters or a holder in the rear of the lens for up to three gel filters. Finally, it offers weather-resistant construction similar to other high-end L-series lenses.

Canon 20mm f/2.8 USM Lens $499 Focus Drive: Ultrasonic Elements/Groups: 9/11 Angle of View: 94? Minimum Focus: 0.8 ft. (0.25m) Minimum Aperture: f/22 Filter (diameter): 72mm Length: 31/16 in. (77.5mm)

Canon EF 200mm f/2L IS USM Telephoto Lens $5999 This ultra-fast telephoto, a new member of Canon legendary L-series lenses, has totally new optics to provide better image quality. It uses fluorite and UD lens elements for excellent chromatic aberration correction and consists of 17 elements in 12 groups. The built-in Optical Image Stabilizer gives it up to 4 stops of stabilization correction. The inner USM and optimized AF algorithms result in fast and quiet autofocusing, and the circular aperture can even produce beautiful out-of-focus images. This ultra-high-performance lens also improves its durability - better dust- and water-proofing. The EF 200mm f/2L IS USM is outstanding for many available-light applications, including indoor sports, theater work, fashion, and candids at events.

Canon EF 24MM F/2.8 IS USM Lens $849 The Canon EF 24mm f/2.8 IS USM lens is the ideal entry focal length into the world of ultra wide-angle photography. A compact, fixed focal length 24mm lens equipped with Canon's Optical Image Stabilizer technology that offers up to 4 stops of shake correction along with a ring-type USM and advanced CPU with optimized AF algorithms for fast auto focusing. Full-time manual focus feature is available for manual focusing even while in AF mode while a minimum focusing distance of 0.66 ft (0.20m) offers dramatic wide-angle images. Aspherical lens elements help improve image quality on the periphery while a 7-blade circular aperture diaphragm delivers beautiful, soft backgrounds. Lens coatings are also used to help minimize ghosting and flares. Offering spectacular image quality, silent and smooth operation in a compact body, it's the ideal lens for capturing both stills and video.

Canon EF 28-135mm f/3.5-5.6 IS USM Standard Zoom Lens $455 Standard zoom lens with an Image Stabilizer and high zoom ratio. With the Image Stabilizer turned on, you can obtain sharp, natural-looking pictures in dim lighting without using flash or a tripod. Very handy for places where flash is prohibited. Uses ring-type USM for swift, silent auto focus and full-time manual focus.

Canon EF 8-15mm f/4L Fisheye USM Ultra-Wide Zoom Lens $1399 For filmmakers and photographers who want the look and feel only possible with extreme wide angle and fisheye photography, the new Canon EF 8-15mm f/4L Fisheye USM is a world-class choice. With its unique focal length range, the EF 8-15mm f/4L USM is the world's widest fisheye zoom lens. It delivers 180? diagonal angle of view images for all EOS SLR cameras with imaging formats ranging from full-frame to APS-C, and provides 180? circular fisheye images for full-frame EOS models. It features UD glass for suppression of chromatic aberration, a Subwavelength coating for reduced ghosting, a newly developed Fluorine coating that keeps soiling, smears and fingerprints to a minimum, has full-time manual focus for instant switching from AF to Manual operation, and is built to the standards of the amazing Canon L-series of lenses. This means the finest optics, the best construction and the best performance available, all in a lens designed to stimulate creativity and deliver stunning images every time.

Canon EF-S 17-55mm f2.8 IS USM Wide Angle Zoom Lens $1099 This lens was designed for the Canon Digital Rebel, EOS Digital Rebel XT, EOS 30D and EOS 20D Digital SLRs, and will only work with these cameras. The Canon 1242B002 EF-S 17-55mm f/2.8 IS USM offers image quality on a par with Canon's highly regarded L-series lenses. It has a large maximum aperture which, combined with higher shutter speeds can minimize subject motion blur. Shallow depth-of-field separation of a subject from its background is much easier to achieve and the f/2.8 maximum aperture allows a bright finder and extremely precise focusing with f/2.8 compatible AF sensors. The internal stabilization has a sharpness benefit equivalent to a three-stop faster shutter speed, making this lens outstanding in low light situations. Smaller and lighter than lenses of similar specifications, the EF-S 17-55 mm f/2.8 IS USM lens has a 35mm equivalent focal length of 27-88mm and is compatible only with the EOS 30D, EOS 20D, EOS Digital Rebel XT and EOS Digital Rebel SLRs. ? 17-55mm Zoom Range Equivalent to 27-88mm in 35mm Format ? Ultrasonic (USM) motor for silent auto focusing operation and very quick focus even in low-light conditions ? Image Stabilization Technology ? Two Ultra-Low Dispersion UD Glass Lens Elements for excellent color rendition ? Three Aspherical Lens Elements to eliminate spherical aberration ? Optimized Lens Coating for Digital Cameras ? Compatible models: EOS 30D, EOS 20D, EOS Digital Rebel XT, EOS

Canon EF-S 17-85mm f/4-5.6 IS USM Lens $515 Equivalent to a 28-135mm lens, this new EF-S lens brings true wide-angle to tele coverage to EOS 20D and Digital Rebel shooters. It has Canon's Image Stabilization system, allowing safe hand-holding at speeds up to three stops slower than otherwise possible. And of course, it's optically optimized for digital SLRs. A ring-type USM means both fast and silent AF, as well as full-time manual focus when in the AF mode.

Canon EOS-5D Mark II Digital SLR Camera w/ 24-105mm f/4L IS USM Lens $2899 The Canon EOS 5D Mark II incorporates a high-fidelity (920,000 dot) 3" LCD screen and includes a 'Live View' feature that permits the user to frame their shots on the LCD display, and adds framing functions that are not possible with a traditional SLR viewfinder including the ability to zoom in and navigate the preview image to ensure proper focus, and a grid overlay to assist in proper composition. The Live View focusing system also enables focus modes such as Quick mode, Live mode and Face Detection Live mode. Furthermore, the Live View Feature enables HD video recording that can capture true HD-quality (1080p) video at a frame rate of 30 fps with Face Detection and sound,and much more.

Canon MP-E 65mm f/2.8 1-5x Macro Photo Lens $979 Extending beyond the capabilities of conventional macro lenses, the MP-E 65mm f/2.8 Macrophoto Lens is designed exclusively for high-magnification close-ups from 1X to 5X. Offering the widest range of magnifications in its class, this new manual focus lens is fully compatible with all Canon EOS cameras.

Canon PowerShot SD4500 IS 10 Megapixel Compact Camera - Brown - 10x Optical Zoom - Optical (IS) - 1920 x 1080 Video - HDMI - PictBridge $239.95 Significant technology upgrades and a richly sophisticated design make the PowerShot SD4500 IS Digital ELPH camera so easy to say "yes" to. Your best shot is never too far away, thanks to a hugely powerful lens that boasts a 10x Optical Zoom. Your videos will have all the lifelike realism of Full HD (1920 x 1080) ? and you'll share them instantly on your HDTV with a simple cable connection. You'll shoot what you want, when you want, and in every situation your images will be better than you ever imagined. Canon's HS SYSTEM (10.0 Megapixel back-illuminated CMOS sensor plus DIGIC 4 Image Processor) delivers gorgeous images in low light, while the advanced Smart AUTO intelligently manages an expanded, diverse array of shooting situations for stills and videos, so you can focus on composition and creativity. You'll have easy, intuitive access to features that put your photography on the cutting edge, like Super Slow Motion Movie and High-Speed Burst. While this fresh, modern take on a style icon will certainly get your PowerShot SD4500 IS Digital ELPH camera noticed, you'll find just as much to notice in its ramped up power and performance.

Crystal Optics 52MM Circular Polarizer Filter $49.99 Light rays which are reflected become polarized. Polarizing filters are used to select which light rays enter your camera lens. They can remove unwanted reflections from non-metallic surfaces such as water or glass and also saturate colors providing better contrast. The effect can be seen through the viewfinder and changed by rotating the filter. The filter factor varies according to how the filter is rotated and its orientation to the sun. Filter factor is between 2.3 and 2.8 (approx. +1.3 stops). Circular polarizers are specifically designed for use with auto-focus SLR cameras (They will also work on manual systems and video cameras without problems). This filter is a must for all outdoor sunny or snowy high glare situations. It will cut out the extra bright glare and allow you to get the true blue colors, not washed out. Most photographers view this filter as "sunglasses" for your camera lens. Circular Polarizing Filters are used to increase color saturation, like darkening blue skies so that white clouds stand out. It eliminates reflections from non-metallic surfaces like glass and water. It helps reduce softness in scenery caused by atmospheric haze. This filter will not change the overall color balance of a photograph. Polarizers are commonly used to control glare on water and to allow the camera to see below the surface. They are also used to reduce glare on car bumpers and to control reflections on plate-glass windows. Polarizers are so versatile that they can perform the opposite functions as well. Some cinematographers use polarizers to increase or enhance reflections, simply by changing the filter?s setting. "Circular" refers not to the shape, but a special design that does not interfere with metering of auto exposure or auto focus systems

Crystal Optics 55mm Multi Coated UV Filter $29.95 Multi-Coating improves overall quality of filter by correcting for refractive properties of the filter glass. With multi-coated glass your photos will look sharper and have more contrast. Though most people use the UV Haze to protect their lens from dust and scratches, it also absorbs ultra violet and blue rays without affecting exposure or color. Features: ? High-index / low-dispersion optical glass ? Fully multi-coated ? Anti-reflection coating ? Titanium anodized finish ? High speed auto-focus / Infrared compatible ? Designed to maximize day and night shots by providing maximum light and image transmission ? Fantastic for all types of photographic situations ? Made and designed in Japan ? 15 year Warranty

Crystal Optics 58mm Multi Coated Circular Polarizer $59.95 Light rays which are reflected become polarized. Polarizing filters are used to select which light rays enter your camera lens. They can remove unwanted reflections from non-metallic surfaces such as water or glass and also saturate colors providing better contrast. The effect can be seen through the viewfinder and changed by rotating the filter. The filter factor varies according to how the filter is rotated and its orientation to the sun. Filter factor is between 2.3 and 2.8 (approx. +1.3 stops). Circular polarizers are specifically designed for use with auto-focus SLR cameras (They will also work on manual systems and video cameras without problems). This filter is a must for all outdoor sunny or snowy high glare situations. It will cut out the extra bright glare and allow you to get the true blue colors, not washed out. Most photographers view this filter as "sunglasses" for your camera lens. Circular Polarizing Filters are used to increase color saturation, like darkening blue skies so that white clouds stand out. It eliminates reflections from non-metallic surfaces like glass and water. It helps reduce softness in scenery caused by atmospheric haze. This filter will not change the overall color balance of a photograph. Polarizers are commonly used to control glare on water and to allow the camera to see below the surface. They are also used to reduce glare on car bumpers and to control reflections on plate-glass windows. Polarizers are so versatile that they can perform the opposite functions as well. Some cinematographers use polarizers to increase or enhance reflections, simply by changing the filter?s setting. "Circular" refers not to the shape, but a special design that does not interfere with metering of auto exposure or auto focus systems

Crystal Optics 62mm Circular Polarizer Filter $59.95 Light rays which are reflected become polarized. Polarizing filters are used to select which light rays enter your camera lens. They can remove unwanted reflections from non-metallic surfaces such as water or glass and also saturate colors providing better contrast. The effect can be seen through the viewfinder and changed by rotating the filter. The filter factor varies according to how the filter is rotated and its orientation to the sun. Filter factor is between 2.3 and 2.8 (approx. +1.3 stops). Circular polarizers are specifically designed for use with auto-focus SLR cameras (They will also work on manual systems and video cameras without problems). This filter is a must for all outdoor sunny or snowy high glare situations. It will cut out the extra bright glare and allow you to get the true blue colors, not washed out. Most photographers view this filter as "sunglasses" for your camera lens. Circular Polarizing Filters are used to increase color saturation, like darkening blue skies so that white clouds stand out. It eliminates reflections from non-metallic surfaces like glass and water. It helps reduce softness in scenery caused by atmospheric haze. This filter will not change the overall color balance of a photograph. Polarizers are commonly used to control glare on water and to allow the camera to see below the surface. They are also used to reduce glare on car bumpers and to control reflections on plate-glass windows. Polarizers are so versatile that they can perform the opposite functions as well. Some cinematographers use polarizers to increase or enhance reflections, simply by changing the filter?s setting. "Circular" refers not to the shape, but a special design that does not interfere with metering of auto exposure or auto focus systems

Crystal Optics 72mm Circular Polarizer Filter $69.95 Light rays which are reflected become polarized. Polarizing filters are used to select which light rays enter your camera lens. They can remove unwanted reflections from non-metallic surfaces such as water or glass and also saturate colors providing better contrast. The effect can be seen through the viewfinder and changed by rotating the filter. The filter factor varies according to how the filter is rotated and its orientation to the sun. Filter factor is between 2.3 and 2.8 (approx. +1.3 stops). Circular polarizers are specifically designed for use with auto-focus SLR cameras (They will also work on manual systems and video cameras without problems). This filter is a must for all outdoor sunny or snowy high glare situations. It will cut out the extra bright glare and allow you to get the true blue colors, not washed out. Most photographers view this filter as "sunglasses" for your camera lens. Circular Polarizing Filters are used to increase color saturation, like darkening blue skies so that white clouds stand out. It eliminates reflections from non-metallic surfaces like glass and water. It helps reduce softness in scenery caused by atmospheric haze. This filter will not change the overall color balance of a photograph. Polarizers are commonly used to control glare on water and to allow the camera to see below the surface. They are also used to reduce glare on car bumpers and to control reflections on plate-glass windows. Polarizers are so versatile that they can perform the opposite functions as well. Some cinematographers use polarizers to increase or enhance reflections, simply by changing the filter?s setting. "Circular" refers not to the shape, but a special design that does not interfere with metering of auto exposure or auto focus systems

Crystal Optics 77mm Multi Coated UV Filter $59.95 Multi-Coating improves overall quality of filter by correcting for refractive properties of the filter glass. With multi-coated glass your photos will look sharper and have more contrast. Though most people use the UV Haze to protect their lens from dust and scratches, it also absorbs ultra violet and blue rays without affecting exposure or color. Features: ? High-index / low-dispersion optical glass ? Fully multi-coated ? Anti-reflection coating ? Titanium anodized finish ? High speed auto-focus / Infrared compatible ? Designed to maximize day and night shots by providing maximum light and image transmission ? Fantastic for all types of photographic situations ? Made and designed in Japan ? 15 year Warranty

Crystal Optics 82 Multi Coated UV Filter $59.95 Multi-Coating improves overall quality of filter by correcting for refractive properties of the filter glass. With multi-coated glass your photos will look sharper and have more contrast. Though most people use the UV Haze to protect their lens from dust and scratches, it also absorbs ultra violet and blue rays without affecting exposure or color. Features: ? High-index / low-dispersion optical glass ? Fully multi-coated ? Anti-reflection coating ? Titanium anodized finish ? High speed auto-focus / Infrared compatible ? Designed to maximize day and night shots by providing maximum light and image transmission ? Fantastic for all types of photographic situations ? Made and designed in Japan ? 15 year Warranty

Cullmann MAGNESIT MX465 QRC System Adjustment Unit $74.95 During the redesign of the MAGNESIT MB ball heads was the new quick release adjustment unit MX465. The focus of development was a high solid feel to the entire system, an extremely secure clamp for use with heavy cameras and compatibility with Arca-Swiss. The completely made of aluminum die-cast adjustment unit guarantees the user a secure and extremely firm clamping of the adjustment plate on the ball. Two integrated and extended as needed Verdrehstifte prevent twisting of the camera for portrait shots. The built-in 1 / 4 "camera screw damage can be quickly and easily to a 3 / 8" screw camera exchange. A practical and thought-release mechanism offers the user maximum safety when using the MX465 MAGNESIT adjustment unit. Thus, for the first step to move the adjustment plate and 20mm depending only on the second step, by pressing an additional release button, the adjustment plate for removal from the adjustment unit freigegegben. Two further adjusting plates in various lengths (90mm and 150mm) and a precise two-chamber water balance are the perfect complement for the new CULLMANN quick-coupling adjusting unit. Using 3 / 8 "screw is the robust quick release adjustment unit installed quickly on any tripod head from Cullmann tripod heads as well as other manufacturers.

EWA EWAEMCAFX100 Hurricane Cape,Flash , w/ 77 mm adapter $175 The C-AFX rain cape is the perfect protection against rain, spray, splashed water and even dust, made to fit all SLR cameras (digital and analog) with zoom lenses and a top mounted flash. The cape is made of special double laminated PVC and has an integrated optical glass front port. The camera is fixed directly into the front port by means of the ewa-marine CA adapter. Due to this adapter system the cape will always remain properly positioned in front of the lens. Various zoom and wide angle lenses can be used with the C-AFX raincape . All filter threads from 49mm to 62mm are supported with a CA adapter as a standard. You can also order special CA adapters for lenses with 67mm and 72mm as optional accessories. We also offer a specially modified cape for lenses with a 77mm or 82mm filter thread. This Cape is then called C-AFX100 and is a special order. Please note that only lenses with internal focus can be used in the C-AFX100 raincape.

EWA EWAEMDAX $298 The housing can be used on small boats, in the surf, while swimming, snorkeling or diving. It's easy to operate the camera as its various components and buttons can be operated through the PVC. With this housing, a whole new world of applications opens up for your digital stills camera: Inside the housing you can now take the camera safely canoeing, snorkeling or even diving, up to a depth of 30 m / 100 ft. Experienced photographers have confirmed, that the auto focus and flash both continue to function perfectly. As you descend, the air is pressed into the camera. Due to this, the pressure inside the housing will remain the same as the surrounding water pressure (this is the reason why ewa-marine housings are so safe to use: implosions are impossible). Due to this, we have to start the dive with a suitable amount of air inside the housing. The foam pads supplied with the housing are part of this air "reservoir" and additional air should also be blown into the housing, via the valve at the rear, to ensure that the maximum potential volume is being utilised. The D-AX housing is manufactured from double laminated PVC and has an integrated, optically neutral flat glass port. The external flash that is commonly used on SLR cameras fits into the specially designed section on the top of the housing.It has a pair of non-corrosive and seawater resistant clamping rails which fit together for perfect sealing. They tighten by means of three screw knobs. It is supplied in a handy yellow carry-case which has a water-proof interior and zippered side-pocket.

EWA EWAEMUA $269 The housing can be used on small boats, in the surf, while swimming, snorkling or diving. As the camera and its various components are be operated through the plastic, the camras is operated normally and the use of an ewa-marine housing is easily adapetd to by the camera man. The U-A is designed to fit almast all common SLR cameras on the market today, irrespective of the manufacturer or model. With this housing, a whole new world of applications openes up for your standard SLR camera: Inside the housing you can now take the camera safely canoeing, snorkling or eaven diving, up to a deapth of 20 m / 60 ft. If the optional BF1 lead weight is inserted into the housig, underneath the camera, it becomes even easier to reach the maximum depth. Experienced photographers have confirmed, that the auto focus and flash both continue to function perfectly. As you descend, the air is pressed into the camera. Due to this, the pressure inside the housing will remain the same as the surrounding water pressure. (this is the reason why ewa-marine housings are so safe to use: implosions are impossible) Due to this, we have to start the dive with a suitable amount of air inside the housing. The foam pads supplied with the housing are part of this air "reservoir" and additional air should also be blown into the housing, via the valve at the rear, to ensure that the maximum potential volume is being ut?lised. Designed specifically for 35mm SLR cameras, the U-A housing is manufactured from double laminated PVC and has an integrated, optically neutral flat glass port. The flip-up, internal flash, that can be found on some models will fit into the specially designed section on the top of the housing, allowing its use above and under water. It has a pair of non-corrosive and seawater resistant clamping rails which fit together for perfect sealing. They tighten by means of three screw knobs.

EWA EWAEMUAX UNDERWATER SLR AF/ HOUSING / FLASH $298 The housing can be used on small boats, in the surf, while swimming, snorkling or diving. As the camera and its various components are be operated through the plastic, the camras is operated normally and the use of an ewa-marine housing is easily adapetd to by the camera man. The U-AX is designed to fit almast all common SLR cameras on the market today, irrespective of the manufacturer or model. With this housing, a whole new world of applications openes up for your standard SLR camera: Inside the housing you can now take the camera safely canoeing, snorkling or eaven diving, up to a deapth of 20 m / 60 ft. If the optional BF1 lead weight is inserted into the housig, underneath the camera, it becomes even easier to reach the maximum depth. Experienced photographers have confirmed, that the auto focus and flash both continue to function perfectly. As you descend, the air is pressed into the camera. Due to this, the pressure inside the housing will remain the same as the surrounding water pressure. (this is the reason why ewa-marine housings are so safe to use: implosions are impossible) Due to this, we have to start the dive with a suitable amount of air inside the housing. The foam pads supplied with the housing are part of this air "reservoir" and additional air should also be blown into the housing, via the valve at the rear, to ensure that the maximum potential volume is being ut?lised. Designed specifically for 35mm SLR cameras, the U-AX housing is manufactured from double laminated PVC and has an integrated, optically neutral flat glass port. The external flash that is commonly used on SLR cameras fits into the specially designed section on the top of the housing. It has a pair of non-corrosive and seawater resistant clamping rails which fit together for perfect sealing. They tighten by means of three screw knobs. It is supplied in a handy yellow carry-case which has a water-proof interior and zippered side-pocket.

EWA EWAEMUAXP PROFESSIONAL UNDERWATER SLR AF HOUSING Heavy duty , rated to 164', f/ large cameras, built in finger sleeve HD straps $359 The housing can be used on small boats, in the surf, while swimming, snorkeling or diving. It's easy to operate the camera as its various components and buttons can be operated through the PVC. The U-AXP is designed to fit almost all common SLR cameras on the market today, irrespective of the manufacturer or model. With thishousing, a whole new world of applications opens up for your standard SLR camera: Inside the housing you can now take the camera safely canoeing, snorkeling or even diving, up to a depth of 50 m / 150 ft The housing is larger than its sister model, the U-AX, for two reasons: Firstly it was designed to take the larger SLR cameras like the Nikon F4, F5 and Canon EOS 1, EOS 3 (please note, that you will need a special adapter for the AV110-X which is available from your dealer or distributor) and secondly the extra volume of air trapped inside the housing allows a dive depths of up to 50m / 150 ft ! If the optional BF1 lead weight is inserted into the housing, underneath the camera, it becomes even easier to reach the maximum depth. Experienced photographers have confirmed, that the auto focus and flash both continue to function perfectly. As you descend, the air is pressed into the camera. Due to this, the pressure inside the housing will remain the same as the surrounding water pressure. (this is the reason why ewa-marine housings are so safe to use: implosions are impossible) Due to this, we have to start the dive with a suitable amount of air inside the housing. The foam pads supplied with the housing are part of this air "reservoir" and additional air should also be blown into the housing, via the valve at the rear, to ensure that the maximum potential volume is being utilised. Designed specifically for SLR cameras, the U-AXP housing is manufactured from double laminated PVC and has an integrated, optically neutral flat glass port. The external flash that is commonly used on SLR cameras fits into the specially designed section on the top of the housing. It has a pair of non-corrosive and seawater resistant clamping rails which fit together for perfect sealing. They tighten by means of three screw knobs. It is supplied in a handy yellow carry-case which has a water-proof interior and zippered side-pocket

EWA EWAEMUAXP100 PROF. UNDERWATER HOUSING, OVERSIZED PORT Similar to U-AXP with an oversized glass lens port ,includes a 77mm ring adapter (C-A77) $399 The U-AXP 100 is a special version of the U-AXP housing. It has a wider front glass and allows in combination with the C-A 77 adapter (supplied with the housing) and C-A 82 (available as an accessory from your dealer) adapter the use of lenses with a filter thread of 77 and 82mm. This enables you to use wide angel lenses with a focal length of 17mm without problems. please note: all lenses used with this housing must have an internal focus. Lenses with a smaller filter diameter can also be used in this housing as long as they have internal focus. You just need the right step-up ring. Designed specifically for cameras, the U-AXP100 housing is manufactured from double laminated PVC and has an integrated, optically neutral flat glass port. The external flash that is commonly used on SLR cameras fits into the specially designed section on the top of the housing. It has a pair of non-corrosive and seawater resistant clamping rails which fit together for perfect sealing. They tighten by means of three screw knobs. It is supplied in a handy yellow carry-case which has a water-proof interior and zippered side-pocket.

EWA EWAEMUAZ UNDERWATER SLR AF/ PHOTO HOUSING, ZOOM $298 The housing can be used on small boats, in the surf, while swimming, snorkling or diving. As the camera and its various components are be operated through the plastic, the camras is operated normally and the use of an ewa-marine housing is easily adapetd to by the camera man. The fact that the U-AZ can be used with up to 300m lenses, makes it speciffically interesting for canoesist and other out door photographers that want to take pictures of birds and other wild life while in or on the water. The U-AZ is designed to fit almast all common SLR cameras on the market today, irrespective of the manufacturer or model. With this housing, a whole new world of applications openes up for your standard SLR camera: Inside the housing you can now take the camera safely canoeing, snorkling or eaven diving, up to a deapth of 20 m / 60 ft. If the optional BF1 lead weight is inserted into the housig, underneath the camera, it becomes even easier to reach the maximum depth. Experienced photographers have confirmed, that the auto focus and flash both continue to function perfectly. As you descend, the air is pressed into the camera. Due to this, the pressure inside the housing will remain the same as the surrounding water pressure. (this is the reason why ewa-marine housings are so safe to use: implosions are impossible) Due to this, we have to start the dive with a suitable amount of air inside the housing. The foam pads supplied with the housing are part of this air "reservoir" and additional air should also be blown into the housing, via the valve at the rear, to ensure that the maximum potential volume is being ut?lised. Designed specifically for 35mm SLR cameras, the U-AZ housing is manufactured from double laminated PVC and has an integrated, optically neutral flat glass port. The flip-up, internal flash, that can be found on some models will fit into the specially designed section on the top of the housing, allowing its use above and under water. It has a pair of non-corrosive and seawater resistant clamping rails which fit together for perfect sealing. They tighten by means of three screw knobs. It is supplied in a handy yellow carry-case which has a water-proof interior and zippered side-pocket.

EWA EWAEMUB DSLR Housing f/ Extra LG camera bodies $329 ewa-marine U-B Camera not included with housingThe housing can be used on small boats, in the surf, while swimming, snorkeling or diving. It's easy to operate as the camera as its various components and buttons can be operated through the PVC. The U-B is specially designed to fit the bulky, professional and semi-professional digital SLR cameras like the EOS 5D or the Nikon D1, D2X, D200and similar cameras. Smaller SLR cameras then the mentioned above can still be used in the housing. Please Note: In this housing you can only use lenses till a maximum filterthreaddiameter of 72mm. If you are using lenses with a 77mm or a 82mm filterthread, then please contact us. We're able to make a special housing with a bigger frontglass for 77mm or 82mm! With this housing, a whole new world of applications opens up for your professional digital SLR camera: Inside the housing you can now take the camera safely canoeing, snorkeling or even diving, up to a depth of 20 m / 60 ft. If the optional BF1 lead weight is inserted into the housing, underneath the camera, it becomes even easier to reach the maximum depth. Experienced photographers have confirmed, that the auto focus and flash both continue to function perfectly. As you descend, the air is pressed into the camera. Due to this, the pressure inside the housing will remain the same as the surrounding water pressure. (this is the reason why ewa-marine housings are so safe to use: implosions are impossible) Due to this, we have to start the dive with a suitable amount of air inside the housing. The foam pads supplied with the housing are part of this air "reservoir" and additional air should also be blowninto the housing, via the valve at the rear, to ensure that the maximum potential volume is being utilised. The U-B housing is manufactured from double laminated PVC and has an integrated,optically neutral flat glass port. The flip-up, internal flash, that can be found on some models will fit into the specially designed section on the top of the housing, allowing its use above and under water. It has a pair of non-corrosive and seawater resistant clamping rails which fit together for perfect sealing. They tighten by means of three screw knobs. It is supplied in a handy yellow carry-case which has a water-proof interior andzippered side-pocket.

EWA EWAEMUB100 DSLR Housing with over sized lens port $359 It has a wider frontglass and allows in combination with the C-A 77 adapter (supplied with the housing) and C-A 82 adapter the use of lenses with a filter thread of 77 and 82mm. This means you can use your professional digital SLR camera like the Nikon D1, D2H, D2X, D200 and similar cameras, with most of the professional wideangellenses currently on the market. This enables you to use wideangel lenses with a focallength of 16mm (equivalent to 35mm film or full frame sensor) without problems. Lenses with a smaller filter diameter can also be used in this housing as long as they have an internal focus. You just need the right step-up ring. The autofocus adapter (AV110) is not included in delivery as it is not needed for this housing. If the optional BF1 lead weight is inserted into the housing, underneath the camera, it becomes even easier to reach the maximum depth of 20 m / 60 ft. Experienced photographers have confirmed, that the auto focus continue to function perfectly. As you descend, the air is pressed into the camera. Due to this, the pressure inside the housing will remain the same as the surrounding water pressure. Due to this, one has to start the dive with a suitable amount of air inside the housing. The foam pads supplied with the housing are part of this air "reservoir" and additional air should also be blown into the housing, via the valve at the rear, to ensure that the maximum potential volume is being utilised. The U-B 100 housing is manufactured from double laminated PVC and has an integrated, optically neutral flat glass port. You can also use the internal flash. It has a pair of non-corrosive and seawater resistant clamping rails which fit together for perfect sealing. They tighten by means of three screw knobs.

EWA EWAEMUBXP PRO DSLR Housing f/ Extra LG camera bodies fits lg bodies plus hotshoe flash, 164' depth $395 The housing can be used on small boats, in the surf, while swimming, snorkeling or diving. It's easy to operate as the camera as its various components and buttons can be operated through the PVC. The U-BXP is specially designed to fit the bulky, professional digital SLR cameras like the EOS 1D, 1Ds series, or the Nikon D1, H2H, D2X, D200 and similar cameras. Smaller SLR cameras then the mentioned above can still be used in the housing. Please note: In this housing you can only use lenses till a maximum filter thread diameter of 72mm. If you are using lenses with a 77mm or a 82mm filterthread, then you must use the U-BXP100 housing (sku: EWUBXP100). With this housing, a whole new world of applications opens up for your professional digital SLR camera: Inside the housing you can now take the camera safely canoeing, snorkeling or even diving, up to a depth of 50 m / 150 ft. If the optional BF1 lead weight is inserted into the housing, underneath the camera, it becomes even easier to reach the maximum depth. Experienced photographers have confirmed, that the auto focus and flash both continue to function perfectly. As you descend, the air is pressed into the camera. Due to this, the pressure inside the housing will remain the same as the surrounding water pressure. (this is the reason why ewa-marine housings are so safe to use: implosions are impossible) Due to this, we have to start the dive with a suitable amount of air inside the housing. The foam pads supplied with the housing are part of this air "reservoir" and additional air should also be blown into the housing, via the valve at the rear, to ensure that the maximum potential volume is being utilized. The U-BXP housing is manufactured from double laminated PVC and has an integrated, optically neutral flat glass port. The external flash that is commonly used on SLR cameras fits into the specially designed section on the top of the housing. It has a pair of non-corrosive and seawater resistant clamping rails which fit together for perfect sealing. They tighten by means of three screw knobs. It is supplied in a handy yellow carry-case which has a water-proof interior and zippered side-pocket.

EWA EWAEMUBXP100 PRO DSLR Housing f/ Extra LG camera bodies as BXP plus oversized lens port f/ large dia lens $449 The U-BXP 100 is a special version of the U-BXP housing. It has a wider front glass and allows in combination with the C-A 77 adapter (supplied with the housing) and C-A 82 (available as an accessory from your dealer) adapter the use of lenses with a filter thread of 77 and 82mm. This means you can use your professional digital SLR camera like the Canon EOS 1D, 1Ds Series as well as the Nikon D1, D2H, D2X, D200 and similar cameras, withmost of the professional wideangle lenses currently on the market. This enables you to use wideangle lenses with a focal length of 16mm (full format chip) without problems. SLR cameras which have a smaller chip can even use the 10mm wideangle lenses. Please note: all lenses used with this housing must have a internal focus. Lenses with a smaller filter diameter can also be used in this housing as long as they have internal focus. You just need the right step-up ring. The autofocus adapter (AV110) is not included in delivery as it is not needed for this housing. If the optional BF1 lead weight is inserted into the housing, underneath the camera, it becomes even easier to reach the maximum depth. Experienced photographers have confirmed, that the auto focus and flash both continue to function perfectly. As you descend, the air is pressed into the camera. Due to this, the pressure inside the housing will remain the same as the surrounding water pressure. (this is the reason why ewa-marine housings are so safe to use: implosions are impossible). Due to this, we have to start the dive with a suitable amount of air inside the housing. The foam pads supplied with the housing are part of this air "reservoir" and additional air should also be blown into the housing, via the valve at the rear, to ensure that the maximum potential volume is being utilized. The U-BXP100 housing is manufactured from double laminated PVC and has an integrated, optically neutral flat glass port. The external flash that is commonly used on SLR cameras fits into the specially designed section on the top of the housing. It has a pair of non-corrosive and seawater resistant clamping rails which fit together for perfect sealing. They tighten by means of three screw knobs. It is supplied in a handy yellow carry-case which has a water-proof interior and zippered side-pocket.

EWA EWAEMUBZ DSLR ZOOM Housing f/ Extra LG camera bodies as U-B with room for longer zoom lens, 60' depth $369 ewa-marine U-BZ Camera not included with housingThe housing can be used on small boats, in the surf, while swimming, snorkeling or diving. It's easy to operate as the camera as its various components and buttons can be operated through the PVC. The U-BZ is specially designed to fit the bulky, professional and semi-professional digital SLR cameras like the EOS 5D or the Nikon D1, D2X, D200and similar cameras. Smaller SLR cameras then the mentioned above can still be used in the housing. The fact that the U-BZ can be used with up to 300m lenses, makes it speciffically interesting for canoeists and other out door photographers that want to take pictures of birds and other wild life while in or on the water. With this housing, a whole new world of applications opens up for your professional digital SLR camera: Inside the housing you can now take the camera safely canoeing, snorkeling or even diving, up to a depth of 20 m / 60 ft. If the optional BF1 lead weight is inserted into the housing, underneath the camera, it becomes even easier to reach the maximum depth. Experienced photographers have confirmed, that the auto focus and flash both continue to function perfectly. As you descend, the air is pressed into the camera. Due to this, the pressure inside the housing will remain the same as the surrounding water pressure. (this is the reason why ewa-marine housings are so safe to use: implosions are impossible) Due to this, we have to start the dive with a suitable amount of air inside the housing. The foam pads supplied with the housing are part of this air "reservoir" and additional air should also be blowninto the housing, via the valve at the rear, to ensure that the maximum potential volume is being utilised. The U-BZ housing is manufactured from double laminated PVC and has an integrated, optically neutral flat glass port. The flip-up, internal flash, thatcan be found on some models will fit into the specially designed section on the top of the housing, allowing its use above and under water. It has a pair of non-corrosive and seawater resistant clamping rails which fit together for perfect sealing. They tighten by means of three screw knobs. It is supplied in a handy yellow carry-case which has a water-proof interior andzippered side-pocket.

EWA EWAEMUBZ100 DSLR ZOOM Housing w/ Oversized lensport Large lens port for len's w/ 77 or 82 mm filter ring $399 It has a wider frontglass and allows in combination with the C-A 77 adapter (supplied with the housing) and C-A 82 adapter the use of lenses with a filter thread of 77 and 82mm. This means you can use your professional digital SLR camera like the Nikon D1, D2H, D2X, D200 and similar cameras, with most of the professional zoom lenses currently on the market. The fact that the U-BZ 100 can be used with up to 300m lenses, makes it speciffically interesting for canoeists and other out door photographers that want to take pictures of birds and other wild life while in or on the water. Lenses with a smaller filterdiameter can also be used in this housing as long as they have an internal focus. You just need the right step-up ring. The autofocus adapter (AV110) is not included in delivery as it is not needed for this housing. If the optional BF1 lead weight is inserted into the housing, underneath the camera, it becomes even easier to reach the maximum depth of 20 m / 60 ft. Experienced photographers have confirmed, that the auto focus continue to function perfectly. As you descend, the air is pressed into the camera. Due to this, the pressure inside the housing will remain the same as the surrounding water pressure. Due to this, suitable amount of air have been started to be dived inside the housing. The foam pads supplied with the housing are part of this air "reservoir" and additional air should also be blown into the housing, via the valve at the rear, to ensure that the maximum potential volume is being utilised. The U-BZ 100 housing is manufactured from double laminated PVC and has an integrated, optically neutral flat glass port. You can also use the internal flash. It has a pair of non-corrosive and seawater resistant clamping rails which fit together for perfect sealing. They tighten by means of three screw knobs.

EWA EWAEMVP2 UNDERWATER VIDEO HOUSING $529 The Ewa-Marine VP2 underwater video housing for the Panasonic HVX200 high definition camcorder is rated to 10 meters of depth. Designed specifically for this camcorder the model VP2 housing is manufactured from double laminated PVC and has an integrated, optically neutral flat glass port. It is perfect for snorkeling or shallow diving, sandy, dusty, humid or foul weather conditions this housing will give your camera the best possible protection whilst being fully operable. All major controls like Zoom (auto and manual), manual focus, White-balance, Gain, Iris as well as the User-modes, are accessible. It has a pair of non-corrosive and seawater resistant clamping rails which fit together for perfect sealing. They tighten by means of knurled thumb screw knobs. The straps at the bottom allow weights to be attached for perfect buoyancy under water. It is supplied in a handy yellow carry-case which has a water-proof interior and zippered side-pocket.

EWA WAEMUF UNDERWATER MANUAL SLR PHOTO HOUSING $229 Diving and snorkeling are one of the most enjoyable vacation experiences. With ewa-marine housings, you can take just about any 35mm camera underwater, either Manual or Auto Focus and capture truly world class photos. With our U-AXP model, you can even take your SLR down to a depth of 10m/30 ft. ewa-marine SLR cameras housings are flexible, allowing easy control of the camera, while an adapter system holds the camera's lens securely to the front optical glass port. "finger ports" allows you to access your camera's most important controls, such as program modes, shutter release mechanism, and tele/wide buttons. Although, as with all ewa-marine housings, they are extremely light weight, the housings are very robust and durable. Special details, such as the hardened, optical front port and special adapter system which connects the port to the camera's lens, and, on different models, an integrated glove for easier lens operation, have been developed and constantly improved since 1970. All this adds up to an economical and versatile product that will enable you to take those "once in a lifetime" photos that will be the envy of all those who see them.

FUJIFILM X-S1 Digital Camera, 2/3 12 MP EXR-CMOS, 26X Optical Zoom, HD Movie Recording - Black $899.99 FUJIFILM X-S1, a premium, high performance DSLR-styled long-zoom camera, built with careful craftsmanship for the sophisticated consumer and enthusiast photographer who are looking for maximum photographic performance - and true picture quality - with a versatile long-zoom lens housed in a durable, lightweight body. The X-S1 is the ideal "all-in-one" camera because it offers all of the benefits of a DSLR system in a single camera and lens body. The X-S1 is designed to exceed expectations in all photographic situations, and is especially well-suited for nature photography thanks to its impressive wide angle, long zoom and super macro capabilities all from a single lens. The all-new FUJIFILM X-S1, made in Japan, is the latest addition to the premium FUJIFILM X-series that includes the X100 and X10. The X-S1 features a large 2/3" 12 megapixel EXR CMOS sensor and a newly-developed, bright all glass and high-definition FUJINON F2.8 Wide-Angle to F5.6 telephoto lens with an ultra-smooth 26x manual zoom (24-624mm). The FUJINON lens consists of 17 glass lens elements in 12 groups, to offer amazing clarity and high resolution through the entire image. The new FUJINON lens has a metal cam design that delivers smooth, precise zoom control, and an O-ring that is injected with a specially blended grease similar to what is found in high definition broadcast television lenses. The EXR processor delivers an extremely fast auto focus while minimizing shutter lag and supports high speed continuous shooting of approximately 7 frames per second (fps) at full resolution. The premium long zoom X-S1 has a wide, 1.4 million dot electronic viewfinder (EVF) that is exceptionally bright and clear, and it includes a heads-up sensor that automatically switches between the viewfinder and the LCD screen when the camera is raised to the user's eye to compose an image. The viewfinder uses two glass lenses and one non-spherical lens to capture realistic lighting and display true-to-life images. The X-S1 has a large 3.0" titling LCD display with a Monitor Sunlight Mode that allows users to review their images in bright sunlight. The well-balanced X-S1 also features an enhanced, full-body, rubberized grain texture coating that adds superior grip, a hot shoe mount to add additional accessories, full 1080p HD movie capture and milled mode and adjustment dials for exceptional feel and functionality. The FUJIFILM X-S1 features Fujifilm's Intelligent Digital Zoom which effectively doubles the telephoto capabilities and provides up to an amazing 52x total zoom, and a Super Macro Mode that captures images as close as 1cm.

Griffin iPhone 3GS Clarifi Case Black - Personal Electronic Cases $34.99 Clarifi is no ordinary polycarbonate case. That's because, when the details matter, Clarifi's built-in lens gives your iPhone a boost in camera resolution.Slide the Clarifi lens into place over the built-in lens of your iPhone. Your macro and close-up shots are instantly finer in detail, more accurate in color. With Clarifi's lens, your iPhone can image an entire business card with astounding clarity. Slide the lens aside for normal photography. WIthout Clarifi, iPhone requires about 18 inches to focus properly. Slide Clarifi's lens into place and you can move in to 4 inches for crisp detail and great pictures.

Hoya 46MM HMC Circular Polarizer $67.9 Light rays which are reflected by any surface become polarised and polarising filters are used to select which light rays enter your camara lens. They allow you to remove unwanted reflections from non-metallic surfaces such as water, glass etc. They also saturate colors and increase contrast. Polarizers come in two variations but have the same effect. Linear polarizers work with older camera meters; Circurlar polarizers are designed for today's newer split-beam metering systems used in auto focus cameras. Check your camera's manual.

Hoya 49MM HMC Circular Polarizer $67.9 Light rays which are reflected by any surface become polarised and polarising filters are used to select which light rays enter your camara lens. They allow you to remove unwanted reflections from non-metallic surfaces such as water, glass etc. They also saturate colors and increase contrast. Polarizers come in two variations but have the same effect. Linear polarizers work with older camera meters; Circurlar polarizers are designed for today's newer split-beam metering systems used in auto focus cameras. Check your camera's manual.

Hoya 52MM HMC Circular Polarizer $69.9 Light rays which are reflected by any surface become polarised and polarising filters are used to select which light rays enter your camara lens. They allow you to remove unwanted reflections from non-metallic surfaces such as water, glass etc. They also saturate colors and increase contrast. Polarizers come in two variations but have the same effect. Linear polarizers work with older camera meters; Circurlar polarizers are designed for today's newer split-beam metering systems used in auto focus cameras. Check your camera's manual.

Hoya 55MM HMC Circular Filter $71.9 Light rays which are reflected by any surface become polarised and polarising filters are used to select which light rays enter your camara lens. They allow you to remove unwanted reflections from non-metallic surfaces such as water, glass etc. They also saturate colors and increase contrast. Polarizers come in two variations but have the same effect. Linear polarizers work with older camera meters; Circurlar polarizers are designed for today's newer split-beam metering systems used in auto focus cameras. Check your camera's manual.

Hoya 58MM HMC Circular Filter $80.9 Light rays which are reflected by any surface become polarised and polarising filters are used to select which light rays enter your camara lens. They allow you to remove unwanted reflections from non-metallic surfaces such as water, glass etc. They also saturate colors and increase contrast. Polarizers come in two variations but have the same effect. Linear polarizers work with older camera meters; Circurlar polarizers are designed for today's newer split-beam metering systems used in auto focus cameras. Check your camera's manual.

Hoya 62MM HMC Circular Polarizer $89.9 Light rays which are reflected by any surface become polarised and polarising filters are used to select which light rays enter your camara lens. They allow you to remove unwanted reflections from non-metallic surfaces such as water, glass etc. They also saturate colors and increase contrast. Polarizers come in two variations but have the same effect. Linear polarizers work with older camera meters; Circurlar polarizers are designed for today's newer split-beam metering systems used in auto focus cameras. Check your camera's manual.

Hoya 67MM HMC Circular Polarizer Filter $95.9 Light rays which are reflected by any surface become polarised and polarising filters are used to select which light rays enter your camara lens. They allow you to remove unwanted reflections from non-metallic surfaces such as water, glass etc. They also saturate colors and increase contrast. Polarizers come in two variations but have the same effect. Linear polarizers work with older camera meters; Circurlar polarizers are designed for today's newer split-beam metering systems used in auto focus cameras. Check your camera's manual.

Hoya 72 MM HMC Circular Polarizer $132.9 Light rays which are reflected by any surface become polarised and polarising filters are used to select which light rays enter your camara lens. They allow you to remove unwanted reflections from non-metallic surfaces such as water, glass etc. They also saturate colors and increase contrast. Polarizers come in two variations but have the same effect. Linear polarizers work with older camera meters; Circurlar polarizers are designed for today's newer split-beam metering systems used in auto focus cameras. Check your camera's manual.

Hoya 77 MM HMC Circular Polarizer $144.9 Light rays which are reflected by any surface become polarised and polarising filters are used to select which light rays enter your camara lens. They allow you to remove unwanted reflections from non-metallic surfaces such as water, glass etc. They also saturate colors and increase contrast. Polarizers come in two variations but have the same effect. Linear polarizers work with older camera meters; Circurlar polarizers are designed for today's newer split-beam metering systems used in auto focus cameras. Check your camera's manual.

Hoya 82 MM HMC Circular Polarizer $219.9 Light rays which are reflected by any surface become polarised and polarising filters are used to select which light rays enter your camara lens. They allow you to remove unwanted reflections from non-metallic surfaces such as water, glass etc. They also saturate colors and increase contrast. Polarizers come in two variations but have the same effect. Linear polarizers work with older camera meters; Circurlar polarizers are designed for today's newer split-beam metering systems used in auto focus cameras. Check your camera's manual.

Nikon 105mm F2.0 AF DC Lens $1099.96 Nikon defocus control offers new creative possibilities for shallow depth-of-field portrait photography. Photographers can fine-tune the foreground or background image area, creating unique blurred effects. Auto-focus option. Accepts 72mm filters. Built-in lens hood.

Nikon 180mm F2.8 ED D Lens $899 A high performance telephoto lens with boastful features and specifications. With internal focusing to remain a constant length it is easy to handhold. It has a built-in collapsible hood, and the A/M switch makes changes between autofocus and manual focus a snap. Extra low dispersion glass gives high resolution and contrast.

Nikon 300mm f/4.0 ED IF AF-S Auto Focus Lens $1399 This profesional quality telephoto lens is Ideal for a wide range of picture taking, from sports and action, to extraordinary tight-close-up portraits, to general landscape photography. Extra Low Dispersion optical glass elements virtually eradicate secondary optical chromatic aberrations; such aberrations are typical in ordinary telephoto optics.

Nikon 85mm f/1.4 D IF AF Lens $1239 A fast f/1.4 aperture makes this lens a standout for sports photography and photojournalism. With Nikon's typical attention to details, its aperture has extra blades, enabling the diaphragm shape to be a near-perfect circle. This ensures crisper images and more flattering highlights in the out-of-focus portion of the image. Close-Range-Correction (CRC) affords superb optical performance from infinity to the closest focusing range of 2.8'.

Nikon 85mm f/1.8G AF-S FX Nikkor Lens $499.95 Designed for use on Nikon's FX-format D-SLR cameras, this updated medium telephoto f/1.8 lens is great for shooting stills or HD videos. The AF-S NIKKOR 85mm f/1.8G features Nikon's Internal Focus (IF) system providing fast and quiet AF and produces sharp and clear images at all apertures. Its fast maximum aperture is ideal for taking stills or HD videos under ideal lighting, in low light, head and shoulder portraiture, weddings or concerts. When mounted on a DX-format D-SLR, the AF-S NIKKOR 85mm f/1.8G has an effective field of view of 127mm.

Nikon AF DC-NIKKOR 135mm f/2.0 DC Lens $1369 Nikon 1935 AF DC-NIKKOR 135mm F2.0 DC Lens. This high-performance, medium telephoto features Defocus Image Control allowing for control of the degree of focus in the foreground or background.

Nikon FM-10 SLR Camera w/ 35-70mm Lens Kit (USA) $309 Nikon's FM10 is a 35mm SLR camera that allows you to have the maximum control *In this kit, the FM10 body is fitted with Nikon's 35mm to 70mm lens *Full manual control *Selectable shutter speeds up to 1/2000th of 1 second *'B' Setting *Depth of field Preview *Manual advance and rewind *Double exposure capability *Center-weight metering helps you select the proper aperture and shutter speed *integrated Hot-Shoe for adding any manual electronic Flash *Manual ISO selection from ISO 25 to 3200 *Uses All Nikkor or compatible lenses *Manual exposure and manual focus *Includes Battery, Case and Strap *Uses 2 SR44 or LR44 batteries

Nikon PC-E Micro 45mm f/2.8D ED Manual Focus Lens $1849 The Nikon Standard, Perspective Control (PC) Lens features tilt, shift and rotation capability. A shifting range of 11.5mm width, with a tilting range of 8.5-degrees, provides exceptional perspective control. Incorporating an electromagnetic diaphragm, this lens provides auto Aperture control when used with D3, D700 and D300 Digital SLR cameras for improved operability. Nano Crystal Coat effectively reduces ghosting and flare to provide sharper, more vivid images. All PC-E NIKKOR lens with Perspective Control capability incorporate a special tilt/shift mechanism. The shift mechanism enables the lens to be moved parallel to the image plane, so that subjects such as a tall building can be captured faithfully, without the upper part appearing to tilt backward and become thinner. The tilt mechanism changes the orthogonal relationship between the Optical axis of the lens and the image plane, allowing you to control the focused area. In landscape photography, you can achieve a focus throughout the entire subject plane from near to distant. You can also achieve focus on a specific part of the subject for emphasis. In actual shooting situations, the shift and tilt mechanisms are used together to adjust perspective, Distortion of the subject, and focus area.

Pentax 10-17mm 3.5-4.5 smc P-DA ED IF Digital Fish-eye $649 The Pentax interchangeable lens system provides a complete line of high-quality lenses to satisfy your every creative need. Offering a wide range of focal lengths, functions and effects for different formats, Pentax lenses are designed to maximize each camera's capabilities.Equivalent focal length to 15mm-26mm in the 35mm format with ist DSLRs; New water and oil repellant SP (Super Protective) lens coating for easy cleaning Extra-low Dispersion (ED) glass for superior sharpness and color correction; Responsive "Quick-Shift Focus System" allows instant shift from AF to MF; The image circle is designed to match the CCD used in PENTAX digital SLRs.

Pentax 16-50mm f/2.8 ED AL[IF]SDM Wide Angle Zoom Lens $1499 The smc PENTAX-DA* 16-50mm f/2.8 ED AL[IF]SDM wide angle zoom lens delivers the highest level of optical quality and includes SDM technology for fast, accurate, quiet focus. Bringing together advanced optical technologies, including aspherical elements, special optical-glass elements and original lens coatings, these new interchangeable lenses are superior to any existing lens series in terms of contrast, clarity and edge-to-edge sharpness.

Pentax 50-135mm f/2.8 ED SDM Telephoto Zoom Lens $1599 The smc PENTAX-DA* 50-135mm f/2.8 ED AL[IF]SDM telephoto zoom lens delivers the highest level of optical quality and includes SDM technology for fast, accurate, quiet focus. Bringing together advanced optical technologies, including aspherical elements, special optical-glass elements and original lens coatings, these new interchangeable lenses are superior to any existing lens series in terms of contrast, clarity and edge-to-edge sharpness.

Pentax DA 16-45mm f/4.0 ED AL Autofocus Lens $599.95 The DA 16-45mm f/4 ED AL lens is the perfect complement to a digital Pentax SLR camera, providing the popular range of angle of view which is most associated with a standard zoom lens today. Pentax's DA series feature a "Quick-Shift Focus System" which allows an instant switch from autofocus to manual focus with a slight twist of the focus ring. Coupled with simple, functional design, and the elimination of the aperture ring, the camera's operability is significantly improved. The image circle in DA-series lenses is designed to perfectly match the 23.5 x 15.7mm size of the CCD image sensor used in Pentax digital SLRs, and thus will not cover the full frame of a 35mm camera. The design contributes to dramatic size and weight reduction, not to mention production costs.

Pentax DA 18-135mm f/3.5-5.6 AL IF (DC) WR Lens $529 The smc PENTAX DA 18-135mm F3.5-5.6 ED AL (IF) DC WR has an extended 7.5X zoom range is ideal for a wide range of shooting conditions. It is weather resistant to handle damp, inclement conditions. The DA 18-135mm has a compact and lightweight design for easy portability. Direct Current (DC) motor supports quick, quiet autofocus operation. PENTAX Super Protect (SP) coating helps repel dust, water, and grease, making the lens easier to clean. PENTAX Quick Shift focus system allows instant on-the-fly switching from auto to manual focus. An aspherical lens element helps to compensate for spherical aberration to maximize image quality. Equivalent to 27.5-207mm in the 35mm format. Developed specifically for PENTAX digital SLR cameras.

Pentax DA 200mm f/2.8 ED IF SDM Lens $1199 The high performance DA* 200mm ED (IF) lens incorporates an SDM system which creates a smoother, quieter auto focus. Featuring a Quick-shift Focus System, switching from auto focus to manual is instantaneous. Developed specifically for PENTAX digital SLRs, the DA* 200mm ED (IF) SDM lens has PENTAX SP coating which protects the exposed lens elements, and a focal length equivalent to 300mm in the 35mm format. Weather and dust resistant, it's the perfect lens for extreme weather conditions.

Pentax DA 21mm F3.2AL LimitedNLens $649 With newly developed, high-performance optics, this new lens measures only one inch (25 millimeters long) and weighs a mere 4.9 ounces (140 grams). Mounted on a PENTAX digital SLR camera body, the lens protrudes very little from the camera?s front panel, making it an ideal choice for carry-everywhere, instantaneous snapshot photography. This versatile angle of view produces natural images with a moderate perspective and an expanded depth of field (or a wide in-focus area), making it ideal for many different types of subjects and occasions, including snapshots, landscape, travel photos, and architecture. The DA 21mm incorporates a hybrid aspherical lens in its eighth optical element to effectively compensate for a variety of aberrations, which cause adverse effects on overall image quality. In order to assure high-quality image reproduction over the entire focusing range, it also features a floating mechanism, which is designed to adjust the degree of aberration compensation in relation to the focusing distance

Pentax DA 35mm f/2.8 Macro Limited $699 The compact DA 35mm Macro Limited lens provides one-to-one magnification in a normal focal length. High-grade aluminum construction of lens barrel, hood and cap provides utmost durability. With its incorporated Quick-shift Focus System, switching from auto focus to manual is instantaneous. Developed specifically for PENTAX digital SLRs, the DA 35mm Macro Limited has PENTAX SP coating which protects the exposed lens elements, and a focal length equivalent to 52.5mm in the 35mm format.

Pentax DA 55mm f/1.4 SDM Auto Focus Lens for Pentax Cameras $799 High performance standard lens - large maximum aperture With super-low-dispersion optical elements, extra-low dispersion (ED) optical elements and PENTAX original lens coatings, the PENTAX DA* 55mm F1.4 SDM lens assures outstanding image quality with clear, high-contrast images, even at image field edges. It features water and dust resistant sealing for reliable operation in inclement conditions, and the PENTAX Quick-Shift Focus system to allow instant auto-to-manual focus switching. Objective lens surface is treated with PENTAX original Super Protect (SP) coating. This special fluorine compound is applied through a vapor deposition process to create a surface that effectively repels dust, water and grease. The combination of special lens coatings, ideal curvature and best positioning of optical elements assures optimized digitalimaging characteristics, while effectively minimizing flare/ghosting. It also features a new Aero Bright coating for maximum light transmission, and rounded diaphragm blades to create a more circular aperture for smooth, beautiful bokeh at large apertures.

Pentax DA 60-250mm f.0 ED (IF) SDM Auto Focus Telephoto Zoom Lens $1999 Versatile zoom you'll want on every photo excursion Designed to deliver top optical performance, the smc PENTAX DA* 60-250mm F4 ED SDM is a versatile telephoto zoom lens. Combiningadvanced technologies including super-low-dispersion optical elements, extra-low dispersion (ED) optical elements and PENTAX original lens coatings, this multipurpose lens assures outstanding image quality with clear, high-contrast images, even at image field edges. It features water and dust resistant sealing for reliable operation in inclement conditions, and a PENTAX Quick-Shift Focus system allowing instant auto-to-manual focus switching. The objective lens surface is treated with the PENTAX original Super Protect (SP) coating. This special fluorine compound is applied to the lens surface through a vapor deposition process creating a surface that effectively repels dust, water and grease, making it easy to wipe off fingerprints/cosmetic marks. With special lens coatings, ideal curvature and best positioning of optical elements, this lens is designed to optimize digital imaging characteristics, while effectively minimizing flare and ghosting.

Pentax DA-300mm f/4 ED (IF) SDM AF Lens $1399 The high performance DA* 300mm ED (IF) lens incorporates an SDM system which creates a smoother, quieter auto focus. Featuring a Quick-shift Focus System, switching from auto focus to manual is instantaneous. Weather and dust resistant, it?s the perfect lens for extreme weather conditions. Developed specifically for PENTAX digital SLRs, the DA 300mm ED (IF) SDM lens has PENTAX SP coating which protects the exposed lens elements, and a focal length equivalent to 450mm in the 35mm format.

Phottix Mini Wired Remote for Nikon $16.95 The Phottix Mini N10 Wired Remote switch with all functions of the camera's shutter release button particularly important to avoid camera moving, making it convenient and easy to use when taking long exposure photos. Half press on the shutter button will cause the camera to focus, full press will trigger the shutter and cause the camera to take a photo. For long exposures, press the release button completely and slide it in the direction of the arrow to lock the button in the depressed position. To unlock the button, slide it back to its original position.

Phottix PH15670 - Strato 2.4GHz Wire/Wireless 4 in 1 Trigger Set for Nikon $78.95 The Phottix Strato PH15670 4 in 1 Wireless Trigger helps to broaden your horizons and take your flash off the camera. The 4-channel, 2.4 GHz transmitter and receiver units boast ranges of 100 meters and beyond. Running on widely available AAA batteries, the small footprint transmitter/receiver system is a must for any kit bag. Unleash your creativity. Get your flash off the camera. With the Strato Wire Flash Trigger you can take photos at sync speeds of up to 1/250 and ranges of 100 meters and beyond. Use the Phottix Strato as a wired or wireless shutter release. Shoot photos from 100 meters or farther away from the camera. The unit is equipped with a two-color status LED green when receiving focus or wake-up signals from the transmitter and red when triggering a flash or releasing the camera's shutter.

Phottix PH63710 - 4-Way Macro Focus Rail Slider for SLR Camera $71.95 The Phottix 4-Way Macro Focus Rail Slider is for use with all digital and film SLR cameras and is compatible with most Nikon, Minolta and Pentax macro and EOS bellows, macro shot extension tubes, or macro lenses such as the Canon FD and FL .Smooth rack and pinion movement provides extremely fine focusing adjustments. The rail has a geared drive system which greatly enhances accuracy and speed of adjustment of the rail. Two 6" rails allow movement in four directions, right, left, forward and backward. Mounts on and accepts 1/4x20 threaded screws, will fit most tripods and copy stands. Positive locking knobs assure rock-steady focus. Focusing rails are essential accessories for macro photography, which requires precise distance modifications and a steady hand, as well as other situations where accurate camera positioning is crucial.

Polaroid PL-108AF Studio Series Auto Focus / TTL Flash For Canon $48.95 Are you tired of the uneven and often underpowered illumination produced by your camera's built-in flash, and yet don't see the need to overspend for the flashes offered by your camera manufacturer? "welcome to Studio Series lighting solutions from Polaroid." Unlike other "one size" fits all flash brands, Studio Series flash units were designed specifically for leading camera brands including Nikon, Canon & Sony. Because of this they integrate seamlessly with your camera's electronics-and depending on model, even optics! So no matter if you're shooting full auto or full manual every shot will be "picture perfect". Speaking of perfect you'll find our Studio Series line has models and features for every need and budget--from models with small footprints yet big feature sets to our top of the line bounce/swivel model which automatically syncs with your SLR's zoom lens, Polaroid Studio Series flash units let you take your pictures to the next level? without paying the price!

Polaroid Polaroid PL-108AF Studio Series Auto Focus / TTL Flash For Pentax $48.95 Are you tired of the uneven and often underpowered illumination produced by your camera's built-in flash, and yet don't see the need to overspend for the flashes offered by your camera manufacturer? "welcome to Studio Series lighting solutions from Polaroid." Unlike other "one size" fits all flash brands, Studio Series flash units were designed specifically for leading camera brands including Nikon, Canon & Sony. Because of this they integrate seamlessly with your camera's electronics-and depending on model, even optics! So no matter if you're shooting full auto or full manual every shot will be "picture perfect". Speaking of perfect you'll find our Studio Series line has models and features for every need and budget--from models with small footprints yet big feature sets to our top of the line bounce/swivel model which automatically syncs with your SLR's zoom lens, Polaroid Studio Series flash units let you take your pictures to the next level? without paying the price!

Polaroid Polaroid PL-108AF Studio Series Auto Focus / TTL Flash For Sony $48.95 Are you tired of the uneven and often underpowered illumination produced by your camera's built-in flash, and yet don't see the need to overspend for the flashes offered by your camera manufacturer? "welcome to Studio Series lighting solutions from Polaroid." Unlike other "one size" fits all flash brands, Studio Series flash units were designed specifically for leading camera brands including Nikon, Canon & Sony. Because of this they integrate seamlessly with your camera's electronics-and depending on model, even optics! So no matter if you're shooting full auto or full manual every shot will be "picture perfect". Speaking of perfect you'll find our Studio Series line has models and features for every need and budget--from models with small footprints yet big feature sets to our top of the line bounce/swivel model which automatically syncs with your SLR's zoom lens, Polaroid Studio Series flash units let you take your pictures to the next level? without paying the price!

Profoto 901022 D1 Air 250 watt Second Monolight $1105 Professional photographers today need durable, tough, fast and consistent flash units suited for digital photography and demanding assignments. Profoto is well known as the world leader in electronic flash technology. Our 40 years of experience in developing state-of-the-art flash units is built in to the design of the the new D1 Air. The Profoto D1 Air is available in 250, 500 and 1000 Ws versions. The Profoto D1 Air is fully digital, not just on the display panel, but in the flash output control circuitry as well. This to ensure a consistency in flash-to-flash color temperature and flash energy. The dual mode SMPS capacitor charging technology ensures the flash-to-flash precision which is essential for today?s photographer. The 7 f-stop power range gives all the power the demanding photographer needs for creative freedom, to shoot with high speed and full open lens. The D1 Air series is designed from our philosophy of look, listen and touch. Controls are easy to use, freeing your mind, eyes and hands, so you can focus on the image you are creating. The unique built-in reflector gives you full control and minimizes stray light. It is optimised for use with softboxes, umbrellas and accepts most Profoto reflectors. Short flash duration gives images a crisp feel and the fast recycling time means that you never have to wait for the flash. You will always get the image quality you want. All this in a package that offers 1/10 f-stop control, giving you the confidence that the images will be exactly as you want them. The Profoto Air system enables you to remote control and trigger your flash from as much as 300 meters (1000ft) and replaces the sync cable. Connect the D1 to the Profoto Air USB, for PC and Mac and gain full control of your entire studio flash system via wireless communication.

Profoto 901024 D1 Air 500 Watt Second Air Monolight Flash $1219 Professional photographers today need durable, tough, fast and consistent flash units suited for digital photography and demanding assignments. Profoto is well known as the world leader in electronic flash technology. Our 40 years of experience in developing state-of-the-art flash units is built in to the design of the the new D1 Air. The Profoto D1 Air is available in 250, 500 and 1000 Ws versions. The Profoto D1 Air is fully digital, not just on the display panel, but in the flash output control circuitry as well. This to ensure a consistency in flash-to-flash color temperature and flash energy. The dual mode SMPS capacitor charging technology ensures the flash-to-flash precision which is essential for today?s photographer. The 7 f-stop power range gives all the power the demanding photographer needs for creative freedom, to shoot with high speed and full open lens. The D1 Air series is designed from our philosophy of look, listen and touch. Controls are easy to use, freeing your mind, eyes and hands, so you can focus on the image you are creating. The unique built-in reflector gives you full control and minimizes stray light. It is optimized for use with softboxes, umbrellas and accepts most Profoto reflectors. Short flash duration gives images a crisp feel and the fast recycling time means that you never have to wait for the flash. You will always get the image quality you want. All this in a package that offers 1/10 f-stop control, giving you the confidence that the images will be exactly as you want them. The Profoto Air system enables you to remote control and trigger your flash from as much as 300 meters (1000ft) and replaces the sync cable. Connect the D1 to the Profoto Air USB, for PC and Mac and gain full control of your entire studio flash system via wireless communication.

Profoto 901025 D1 Air 1000 Watt Second Air Monolight Flash $1749 Professional photographers today need durable, tough, fast and consistent flash units suited for digital photography and demanding assignments. Profoto is well known as the world leader in electronic flash technology. Our 40 years of experience in developing state-of-the-art flash units is built in to the design of the the new D1 Air. The Profoto D1 Air is available in 250, 500 and 1000 Ws versions. The Profoto D1 Air is fully digital, not just on the display panel, but in the flash output control circuitry as well. This to ensure a consistency in flash-to-flash color temperature and flash energy. The dual mode SMPS capacitor charging technology ensures the flash-to-flash precision which is essential for today?s photographer. The 7 f-stop power range gives all the power the demanding photographer needs for creative freedom, to shoot with high speed and full open lens. The D1 Air series is designed from our philosophy of look, listen and touch. Controls are easy to use, freeing your mind, eyes and hands, so you can focus on the image you are creating. The unique built-in reflector gives you full control and minimizes stray light. It is optimized for use with softboxes, umbrellas and accepts most Profoto reflectors. Short flash duration gives images a crisp feel and the fast recycling time means that you never have to wait for the flash. You will always get the image quality you want. All this in a package that offers 1/10 f-stop control, giving you the confidence that the images will be exactly as you want them. The Profoto Air system enables you to remote control and trigger your flash from as much as 300 meters (1000ft) and replaces the sync cable. Connect the D1 to the Profoto Air USB, for PC and Mac and gain full control of your entire studio flash system via wireless communication.

Rokinon 14mm f/2.8 IF ED MC Aspherical Super Wide Angle Fisheye Lens for Canon DSLR Cameras $399 The Rokinon 14mm f/2.8 IF ED MC Aspherical Super Wide Angle Fisheye Lens is an excellent addition to any photographer's collection, giving users the ability to expand their creativity and capture incredible scenes from a truly unique perspective.This manual focus lens, when used with cameras with an APS-C image sensor, creates images with an expanded perspective, including images with a creatively deformed outlook and a sharp pan focus that extends throughout the entire frame. By offering a 180-degree angle of view, this fisheye lens can be used to create amazing image expressions that cannot be seen by the human eye, such as exaggerated perspective and distortion. The minimum shooting distance (just 10.8 inches) and large depth of field also provide amazing close-up shots. In addition, this lens incorporates the latest optical multi-coating techniques. The process of multi-coating assures virtually flare-free photographs even under adverse lighting conditions, resulting in crisp, high-contrast pictures.

Rokinon 14mm f/2.8 IF ED MC Aspherical Super Wide Angle Fisheye Lens for Nikon DSLR Cameras $399 The Rokinon 14mm f/2.8 IF ED MC Aspherical Super Wide Angle Fisheye Lens is an excellent addition to any photographer's collection, giving users the ability to expand their creativity and capture incredible scenes from a truly unique perspective.This manual focus lens, when used with cameras with an APS-C image sensor, creates images with an expanded perspective, including images with a creatively deformed outlook and a sharp pan focus that extends throughout the entire frame. By offering a 180-degree angle of view, this fisheye lens can be used to create amazing image expressions that cannot be seen by the human eye, such as exaggerated perspective and distortion. The minimum shooting distance (just 10.8 inches) and large depth of field also provide amazing close-up shots. In addition, this lens incorporates the latest optical multi-coating techniques. The process of multi-coating assures virtually flare-free photographs even under adverse lighting conditions, resulting in crisp, high-contrast pictures.

Rokinon 14mm f/2.8 IF ED MC Aspherical Super Wide Angle Fisheye Lens for Pentax DSLR Cameras $399 The Rokinon 14mm f/2.8 IF ED MC Aspherical Super Wide Angle Fisheye Lens is an excellent addition to any photographer's collection, giving users the ability to expand their creativity and capture incredible scenes from a truly unique perspective.This manual focus lens, when used with cameras with an APS-C image sensor, creates images with an expanded perspective, including images with a creatively deformed outlook and a sharp pan focus that extends throughout the entire frame. By offering a 180-degree angle of view, this fisheye lens can be used to create amazing image expressions that cannot be seen by the human eye, such as exaggerated perspective and distortion. The minimum shooting distance (just 10.8 inches) and large depth of field also provide amazing close-up shots. In addition, this lens incorporates the latest optical multi-coating techniques. The process of multi-coating assures virtually flare-free photographs even under adverse lighting conditions, resulting in crisp, high-contrast pictures.

Rokinon 85mm f/1.4 Aspherical Lens for Pentax K20D K10D K200D K110D K100D *ist DL Ds Digital SLR Cameras $299 The Rokinon 85mm f/1.4 Manual Focus Lens is an ultra-bright lens with a maximum aperture of f/1.4. Although you can only use this lens in manual focus mode, it is fully compatible with the automated features available with digital SLR cameras. It is compact and lightweight, and offers the ideal focal length and bright aperture for use as a portrait lens.

Rokinon 85mm f/1.4 Aspherical Lens for Sony DSLR Cameras $299 The Rokinon 85mm f/1.4 Manual Focus Lens is an ultra-bright lens with a maximum aperture of f/1.4. Although you can only use this lens in manual focus mode, it is fully compatible with the automated features available with digital SLR cameras. It is compact and lightweight, and offers the ideal focal length and bright aperture for use as a portrait lens.

Sakar 27mm Multi Coated UV Filter $29.95 Multi-Coating improves overall quality of filter by correcting for refractive properties of the filter glass. With multi-coated glass your photos will look sharper and have more contrast. Though most people use the UV Haze to protect their lens from dust and scratches, it also absorbs ultra violet and blue rays without affecting exposure or color. Features: ? High-index / low-dispersion optical glass ? Fully multi-coated ? Anti-reflection coating ? Titanium anodized finish ? High speed auto-focus / Infrared compatible ? Designed to maximize day and night shots by providing maximum light and image transmission ? Fantastic for all types of photographic situations ? Made and designed in Japan ? 15 year Warranty

Sakar 37mm Multi Coated UV Filter $19.95 Multi-Coating improves overall quality of filter by correcting for refractive properties of the filter glass. With multi-coated glass your photos will look sharper and have more contrast. Though most people use the UV Haze to protect their lens from dust and scratches, it also absorbs ultra violet and blue rays without affecting exposure or color. Features: ? High-index / low-dispersion optical glass ? Fully multi-coated ? Anti-reflection coating ? Titanium anodized finish ? High speed auto-focus / Infrared compatible ? Designed to maximize day and night shots by providing maximum light and image transmission ? Fantastic for all types of photographic situations ? Made and designed in Japan ? 15 year Warranty

Sakar 43mm Multi Coated UV Filter $39.99 Multi-Coating improves overall quality of filter by correcting for refractive properties of the filter glass. With multi-coated glass your photos will look sharper and have more contrast. Though most people use the UV Haze to protect their lens from dust and scratches, it also absorbs ultra violet and blue rays without affecting exposure or color. Features: ? High-index / low-dispersion optical glass ? Fully multi-coated ? Anti-reflection coating ? Titanium anodized finish ? High speed auto-focus / Infrared compatible ? Designed to maximize day and night shots by providing maximum light and image transmission ? Fantastic for all types of photographic situations ? Made and designed in Japan ? 15 year Warranty

Sakar 67mm Circular Polarizer Filter $49.95 Light rays which are reflected become polarized. Polarizing filters are used to select which light rays enter your camera lens. They can remove unwanted reflections from non-metallic surfaces such as water or glass and also saturate colors providing better contrast. The effect can be seen through the viewfinder and changed by rotating the filter. The filter factor varies according to how the filter is rotated and its orientation to the sun. Filter factor is between 2.3 and 2.8 (approx. +1.3 stops). Circular polarizers are specifically designed for use with auto-focus SLR cameras (They will also work on manual systems and video cameras without problems). This filter is a must for all outdoor sunny or snowy high glare situations. It will cut out the extra bright glare and allow you to get the true blue colors, not washed out. Most photographers view this filter as "sunglasses" for your camera lens. Circular Polarizing Filters are used to increase color saturation, like darkening blue skies so that white clouds stand out. It eliminates reflections from non-metallic surfaces like glass and water. It helps reduce softness in scenery caused by atmospheric haze. This filter will not change the overall color balance of a photograph. Polarizers are commonly used to control glare on water and to allow the camera to see below the surface. They are also used to reduce glare on car bumpers and to control reflections on plate-glass windows. Polarizers are so versatile that they can perform the opposite functions as well. Some cinematographers use polarizers to increase or enhance reflections, simply by changing the filter?s setting. "Circular" refers not to the shape, but a special design that does not interfere with metering of auto exposure or auto focus systems

Sakar 952AF Auto Focus Shoe Mount DSLR Power Zoom Flash for Nikon Digital Cameras $199.95 Hot Shoe Type AF Bounce Flash for Canon.. The power zoom flash is made to assist you in low light conditions and to help you reduce that nasty red eye. Fits Canon Digital and SLR cameras.

SeaLife ReefMaster RC Automatic Dive Camera (SL515) $104.95 Simplicity is the key to great pictures. So we made the new SeaLife Reefmaster RC completely automatic and easy to use: big Sports Finder, automatic winding, large shutter lever, requiring only light pressure, even at 164 feet. No need to focus, the Reefmaster takes pictures from 4 feet to infinity. ReefMaster RC (Item SL515) features: Multi-coated, glass lens, Big sports finder, Automatic winding, Built-in color corrected underwater flash, Triple element, 35 mm wide angle lens. Hard molded underwater housing with "easy grip" rubber armoring.

Sigma 120-300mm F2.8 EX APO DG OS HSM For Canon $3199 This latest version of the Sigma APO 120-300mm F2.8 EX DG OS HSM is pleased to announce the inclusion of Optical Stablization(OS) which is critical to equipment sporting this focal range allowing for hand-held tele-photography and the use of shutter speeds approximately 4 stops slower than would otherwise be possible. Sigma's new splash-proof feature is also included preventing dust and precipitation from getting inside the lens. One SLD and two FLD glass elements provides maximum correction of chromatic aberrations. The super multi-layer coating reduces flare and ghosting, and the lens design incorporates an inner focusing and inner zooming system to ensure sharp images throughout the entire zoom range. Improved optical performance provides excellent correction of sagittal coma flare and ensures ultra-high resolution, comparable to a fixed focal length lens. The HSM (Hyper Sonic Motor ensures quiet and high speed AF, while allowing full-time manual focus override. A truly unique product which is a rarity in the photo industry, this lens is the only lens of its kind on the market; a professional zoom lens that also features a fast aperture.

Sigma 120-300mm F2.8 EX APO DG OS HSM Lens For Nikon $3199 This latest version of the Sigma APO 120-300mm F2.8 EX DG OS HSM is pleased to announce the inclusion of Optical Stablization(OS) which is critical to equipment sporting this focal range allowing for hand-held tele-photography and the use of shutter speeds approximately 4 stops slower than would otherwise be possible. Sigma's new splash-proof feature is also included preventing dust and precipitation from getting inside the lens. One SLD and two FLD glass elements provides maximum correction of chromatic aberrations. The super multi-layer coating reduces flare and ghosting, and the lens design incorporates an inner focusing and inner zooming system to ensure sharp images throughout the entire zoom range. Improved optical performance provides excellent correction of sagittal coma flare and ensures ultra-high resolution, comparable to a fixed focal length lens. The HSM (Hyper Sonic Motor ensures quiet and high speed AF, while allowing full-time manual focus override. A truly unique product which is a rarity in the photo industry, this lens is the only lens of its kind on the market; a professional zoom lens that also features a fast aperture.

Sigma 150-500mm F5-6.3 APO DG OS HSM for Pentax ( 737109 / 737-109) $1069 This Sigma 737101 / 737-101 150-500mm f/5-6.3 DG OS HSM APO Lens is an ultra telephoto zoom lens ideal for nature, wildlife, or sports photography. This zoom range translates into an equivalent range of 240-800mm when used with a Pentax digital SLR camera. Sigma 737-101 150-500mm f/5-6.3 DG OS HSM APO Lens. This Sigma 150-500mm f/5-6.3 DG OS HSM APO Lens is an ultra telephoto zoom lens ideal for nature, wildlife, or sports photography. This zoom range translates into an equivalent range of 240-800mm when used with a Pentax digital SLR camera. The OS (Optical Stabilizer) system minimizes image blur caused by camera shake, and offers the equivalent of shooting at a shutter speed 3-4 stops faster. This allows handheld telephoto zoom shooting even in poorly lit conditions. The use of the OS (Optical Stabilizer) system, HSM (Hyper Sonic Motor), APO apochromatic design, three elements of SLD (Special Low Dispersion) glass, and multicoated optics all enable this lens to provide a high level of performance throughout its entire zoom range, as well as versatility. A rear focus system insures quick, convenient manual focus and a non-rotating front barrel. The improved DG lens design corrects for various aberrations. This lens is specially coated to get the best color balance, while cutting down on ghosting caused by reflections from the digital image sensor. The lens provides the utmost correction against lateral chromatic aberration, which is a serious problem for digital SLR cameras. By adding the optional Sigma APO teleconverter, you can use this lens as a 210-700mm f/7-9 manual focus ultra-telephoto zoom lens with a 1.4X EX teleconverter, or as a 300-1000mm f/10-13 manual focus ultra-telephoto zoom lens with a 2X teleconverter.

Sigma 150mm F2.8 APO EX DG OS HSM Lens For Nikon $1099 This latest version of the Sigma Macro 150mm F2.8 EX DG HSM boasts Optical Stablization (OS) which is critical to equipment sporting this focal range and is now splash-proof. Offering the latest optical design technology this lens remains a large aperture medium macro lens ideal for shooting the smaller things in our world that exists virtually unseen. A macro lens is one which will focus on a subject close enough to render it "life-size" on the image plane in your camera. It also has a "flat" field" front lens element so that it can shoot images of flat objects such as artwork or postage stamps and be tack sharp all the way across the image. With HSM (Hyper-Sonic Motor) a quiet & high-speed auto focus is ensured. It provides extremely high optical performance from infinity to 1:1 Macro. Three SLD (Special Low Dispersion) glass elements provide optimum color correction and sharpness throughout the entire range and Super Multi-layer coating reduces flare and ghosting. It has superior peripheral brightness and provides sharp and high contrast images even at maximum apertures. The OS offers the use of shutter speeds approximately 4 stops slower than would otherwise be possible.

Sigma 150mm F2.8 APO EX MACRO DG OS HSM Lens For Pentax $1099 This latest version of the Sigma Macro 150mm F2.8 EX DG HSM boasts Optical Stablization (OS) which is critical to equipment sporting this focal range and is now splash-proof. Offering the latest optical design technology this lens remains a large aperture medium macro lens ideal for shooting the smaller things in our world that exists virtually unseen. A macro lens is one which will focus on a subject close enough to render it "life-size" on the image plane in your camera. It also has a "flat" field" front lens element so that it can shoot images of flat objects such as artwork or postage stamps and be tack sharp all the way across the image. With HSM (Hyper-Sonic Motor) a quiet & high-speed auto focus is ensured. It provides extremely high optical performance from infinity to 1:1 Macro. Three SLD (Special Low Dispersion) glass elements provide optimum color correction and sharpness throughout the entire range and Super Multi-layer coating reduces flare and ghosting. It has superior peripheral brightness and provides sharp and high contrast images even at maximum apertures. The OS offers the use of shutter speeds approximately 4 stops slower than would otherwise be possible.

Sigma 150mm F2.8 APO EX MACRO DG OS HSM Lens For Sony $1099 This latest version of the Sigma Macro 150mm F2.8 EX DG HSM boasts Optical Stablization (OS) which is critical to equipment sporting this focal range and is now splash-proof. Offering the latest optical design technology this lens remains a large aperture medium macro lens ideal for shooting the smaller things in our world that exists virtually unseen. A macro lens is one which will focus on a subject close enough to render it "life-size" on the image plane in your camera. It also has a "flat" field" front lens element so that it can shoot images of flat objects such as artwork or postage stamps and be tack sharp all the way across the image. With HSM (Hyper-Sonic Motor) a quiet & high-speed auto focus is ensured. It provides extremely high optical performance from infinity to 1:1 Macro. Three SLD (Special Low Dispersion) glass elements provide optimum color correction and sharpness throughout the entire range and Super Multi-layer coating reduces flare and ghosting. It has superior peripheral brightness and provides sharp and high contrast images even at maximum apertures. The OS offers the use of shutter speeds approximately 4 stops slower than would otherwise be possible.

Sigma 150mm f/2.8 APO EX DG OS HSM Lens For Canon $1099 This latest version of the Sigma Macro 150mm F2.8 EX DG HSM boasts Optical Stablization (OS) which is critical to equipment sporting this focal range and is now splash-proof. Offering the latest optical design technology this lens remains a large aperture medium macro lens ideal for shooting the smaller things in our world that exists virtually unseen. A macro lens is one which will focus on a subject close enough to render it "life-size" on the image plane in your camera. It also has a "flat" field" front lens element so that it can shoot images of flat objects such as artwork or postage stamps and be tack sharp all the way across the image. With HSM (Hyper-Sonic Motor) a quiet & high-speed auto focus is ensured. It provides extremely high optical performance from infinity to 1:1 Macro. Three SLD (Special Low Dispersion) glass elements provide optimum color correction and sharpness throughout the entire range and Super Multi-layer coating reduces flare and ghosting. It has superior peripheral brightness and provides sharp and high contrast images even at maximum apertures. The OS offers the use of shutter speeds approximately 4 stops slower than would otherwise be possible.

Sigma 17-70mm F2.8- 4 DC MACRO OS HSM For Pentax ( 668-109 / 668109 ) $469 Sigma 668-109 / 668109 17-70mm F2.8-4 DC MACRO OS HSM For Pentax. This large aperture standard zoom lens offers an aperture of F2.8 at the 17mm focal length and is ideal for many situations such as portraits, sports, macro and general photography. The OS (Optical Stabilizer) function offers the use of shutter speeds approximately 4 stops slower than would otherwise be possible. For Sony and Pentax mount, the built-in OS function of this lens can be used even if the camera body is equipped with an anti-shake function. As the compensation for camera shake is visible in the view finder, the photographer can easily check for accurate focus and ensure there is no subject movement. The maximum aperture of F2.8 makes this lens ideal for hand held photography as well as producing an attractive background blur and high speed auto focus. This lens has a minimum focusing distance of 22cm (8.7??) throughout the entire zoom range and maximum magnification ratio of 1:2.7, making it ideal for close-up photography. It is possible to focus as close as approximately 4.7cm from the tip of the lens to the subject making this lens particularly useful for close-up photography. Three aspherical lenses and one ELD (Extraordinary Low Dispersion) glass element provide excellent correction for all types of aberrations. High image quality is assured throughout the entire zoom range. The Super Multi-Layer Coating reduces flare and ghosting and provides high contrast images. The incorporation of HSM (Hyper Sonic Motor) ensures a quiet and high speed AF. This lens has a rounded 7 blade diaphragm which creates an attractive blur to the out of focus areas of the image. The inner focusing system eliminates front lens rotation, making the lens particularly suitable for using the supplied petal-type lens hood and circular polarizing filters.

Sigma 17-70mm F2.8- 4 DC MACRO OS HSM for Nikon ( 668-306 / 668306 ) $469 Sigma 668-306 / 668306 17-70mm F2.8-4 DC MACRO OS HSM For Nikon. This large aperture standard zoom lens offers an aperture of F2.8 at the 17mm focal length and is ideal for many situations such as portraits, sports, macro and general photography. The OS (Optical Stabilizer) function offers the use of shutter speeds approximately 4 stops slower than would otherwise be possible. For Sony and Pentax mount, the built-in OS function of this lens can be used even if the camera body is equipped with an anti-shake function. As the compensation for camera shake is visible in the view finder, the photographer can easily check for accurate focus and ensure there is no subject movement. The maximum aperture of F2.8 makes this lens ideal for hand held photography as well as producing an attractive background blur and high speed auto focus. This lens has a minimum focusing distance of 22cm (8.7??) throughout the entire zoom range and maximum magnification ratio of 1:2.7, making it ideal for close-up photography. It is possible to focus as close as approximately 4.7cm from the tip of the lens to the subject making this lens particularly useful for close-up photography. Three aspherical lenses and one ELD (Extraordinary Low Dispersion) glass element provide excellent correction for all types of aberrations. High image quality is assured throughout the entire zoom range. The Super Multi-Layer Coating reduces flare and ghosting and provides high contrast images. The incorporation of HSM (Hyper Sonic Motor) ensures a quiet and high speed AF. This lens has a rounded 7 blade diaphragm which creates an attractive blur to the out of focus areas of the image. The inner focusing system eliminates front lens rotation, making the lens particularly suitable for using the supplied petal-type lens hood and circular polarizing filters.