Great Photography and Camera Deals

Baseball Photography Tips

While it's fun to look at baseball photos in newspapers and magazines, you don't have to be a world-famous photojournalist to take exciting baseball pictures of your favorite team, its players, and the drama and elegance that is baseball. You can do it too. All you need is some baseball photography tips.

What about equipment? The good news is that you don't need a 600mm lens and a ten-frame-per-second motordrive SLR like the "Hot Shots" have. Of course, heavy artillery like this can help, but you can take great baseball pictures with just about any camera. Here's how...

The Inverse-Access Law.

There's one fundamental principle for capturing baseball pictures we made up, that we call the Inverse Access Law. It relates to what you have to expect when you go to the baseball game. Simply stated, the "Law" is this: The bigger the league, the farther you'll probably be from the action. Don't be discouraged. This "law" applies equally to professional photographers as well as amateurs. In a Major League game, when the umpire cries "Play Ball," no one is allowed on the field. No one. Period. End of story.

Realize, the professional sports photographer with the right Press Pass and the big lens can be on the sidelines at a football or basketball game...but not at a baseball game. With America's "National Pastime," everybody — professional and amateur alike — shoots from the stands though there are press boxes in a few key locations for the pros. However you still have a lot of photo opportunities even from the stands to capture great baseball photos.

And, there's the rub — even for the professional. The bigger the stadium, the greater the distance from the playing field to the stands. So be prepared: Major League games will give you minimum opportunity for great baseball pictures — especially if your seats are way out in the bleachers. But don't despair just yet — we've got some hints later in this article that can get you closer even in Major League stadiums.

In any event, at the local little league field or humble sandlot diamond, you won't have any problem positioning yourself close to the action. Usually, you can walk right up to the backstop behind home plate, and stick your camera through the fence for an over-the-umpire's-shoulder close-up view. Only the catcher will have a better view. And if there are some seats along the first-base side of the diamond, you may be able to claim the front row and make it your personal press box!

What does this all mean? Simply that you've got to be realistic and realize that you'll get closer to the action and get better shots at the small ballfield. But, as we just said, don't give up on the BIG stadium yet.

First, let's go over some baseball photography tips for handling the action at all types of baseball fields. We call these baseball photography tips, the Six Commandments.

The Six Commandments for Great Baseball Photos

1. Get as close to the action as you can.

Wherever possible — in big stadium or sandlot seats — try to nearly fill the frame with your subject rather than have him or her show up as a distant speck.

How close is close enough? The closer the better. Following our "Inverse Access Law," you know that you probably can get right on the sidelines — or in the first row of seats — at a sandlot, Little League, or high-school game. For college games, semi-pro, or spring-training Big League games, you can usually get pretty close — especially if you apply some added charm or "weight." If you're an NYI student, your NYI Press Pass can provide this added "weight." With or without the pass, if you have any trouble getting close to the action at these games, we advise that you call ahead for a later game and speak with the press or public relations office. Explain that you're a serious photographer (if you have any exotic equipment, here's a good place to name-drop) and you'd like to get access to the press box for the game. If this fails, ask for permission to photograph the pregame warm ups.

What about the regular season Big League game? You probably won't get really close to the action. (As we said a moment ago, no one does!) But this doesn't mean you're out of luck with trying to take great baseball photos.

It simply means that you'll have to use a longer lens to fill the frame. How long a lens? This, of course, depends upon where you sit. From most seats in the stands, a 200mm lens (or an 80-200mm zoom) will probably do fine. But realize this: Unless you have professional gear, the maximum aperture of your 200mm lens is probably around ƒ/4.5. It's not very fast. This means that you may not be able to shoot at a fast-enough shutter speed to stop the action, especially when your subject is in a shaded area of the field. It should, however, be fine for action in sunny areas — so concentrate on those. (At the end of this article, we discuss the equipment brought by the big-time pros. What we've said here may give you an inkling of why he or she probably uses a 300mm lens with an ƒ/2.8 maximum aperture.)

Another point, it's all well and good to sit in the bleachers and have your 200mm ready to catch the action, but.... Be realistic. What happens when that home run is hit out of the park or there's a close play at home? Right. Everybody stands up! This means that your 200mm will get an out-of-focus view of the back of the shirt of the person in front of you, but little else.

How can you avoid this? By planning your position in advance. If possible, try to get seated in a front row where your view will be unobstructed. You can't get such a seat? OK.

How about going to a game when the stands aren't crowded, and sitting where there's no one in front of you. Sit in the last row in the stands if necessary. But get an unobstructed view!

Still, there are more opportunities for you to get close at the Big League ballpark. Pre-game and postgame activities can be ideal for access to your favorite players. Get to the stadium early, an hour or more before game time, and don't be surprised if you can walk down to the first row with your camera. Frequently, you'll be able to shoot closeups of players taking batting practice, standing around waiting for their turn at bat, practicing fielding, signing autographs, or just talking with fans in the stands. You should be able to get some great baseball photos!

Lots of players are also generous with their time when they're leaving the stadium after the game as well. In a large professional ballpark, you won't have a hard time finding the players' entrance; it's generally crowded with fans waiting for their favorite heroes to emerge.

To boil all this down: Try to get as close to the action as you can. Use a long lens if you're seated way back. Make sure your view is unobstructed. And consider pre-game and post-game photo ops when all else fails.

2. Show the ball in your baseball photos.

When you shoot a baseball action photo, whether it's the batter taking a mighty swing or a close play at first base, the picture is much more effective if it shows the ball too. Or, if you're shooting the outfielder circling under a fly ball, try to capture the ball in the same picture so that we see the subject of the fielder's concentration.

Of course, not every shot can show the ball. For example, the baseball photo showing the kids in the "dugout" while their team is at bat can't show the ball. And there are some action shots that work fine without the ball: The runner sliding into third, for example, may make a great shot even if the ball is still on its way from the outfield. That means this is a "Commandment" that has to be used with intelligence.

3. Use fast film or a fast ISO setting on a digital camera when taking baseball photos.

ISO 400 is good, 800 is better, and 1000 or 3200 is often even better — or absolutely necessary. That's because you want to use the fastest possible shutter speed to stop the action. But what about graininess?

For years photographers worried about excess grain the way mothers worried about polio. Science has made both ills a thing of the past.

Yes, you can still find some photographers who dither on about grain in a photo, but they probably haven't dusted their specs in years. Graininess in photos, or rather the perception of excess grain, has been virtually eliminated from today's films — fast ones and slow ones. You want to use fast film so you can "stop" the action even in shaded areas of the field. With digital cameras, a high ISO setting can cause noise in the image, so you'll want to experiment to find the lowest ISO setting you can use while still being able to set a high enough shutter speed in order to stop the action.

4. Show the player's facial expression, if possible.

In photojournalism, they call this a "reaction shot." This is one of many important baseball photography tips: It's the look of triumph or tragedy written indelibly on the player's face. It's what every good photo editor looks for in baseball photos that will make tomorrow's sports section. And reaction shots — facial expressions — will make your baseball pictures too. What types of facial expressions? We've already referred to the look of triumph or tragedy — on television, what they refer to as the look of "agony or ecstasy." That's what you want to capture in your picture: The joyous grin of the batter as he watches the ball sail over the fence. The exultation of the pitcher after he throws a third strike. The look of disgust as the batter slams his bat down after striking out. The cheers — or dejection — of the waiting players in the dugout as they watch their teammate get a crucial hit...or strike out. The grimace of distress on the pitcher's face as the umpire calls "Ball Four." And, of course, the angry look of the coach as he argues with the umpire.

But, don't forget, all reaction shots are not on the field. Turn around and take pictures of the fans in the stands whose faces reflect the action on the field. There's human action everywhere you look - on the field and in the stands. And good reaction photos are winners!

Realize this: You can't always capture the critical moment of the action. Sometimes it takes place out of your camera range. Sometimes you just plain miss it. But you can, and should, try to get great reaction shots at every game.

5. Anticipate where the action will be.

We've just referred to the "critical moment." Those of you familiar with the works of Henri Cartier Bresson know he thought that every great photo resulted from capturing, what he called, the decisive moment. Let's refer to it in baseball as the critical moment. While we've said you can't always capture the critical moment, you certainly should try. And this means anticipating where the action is likely to occur.

If you want to take some classic baseball photos of a runner who's on first, either set yourself up near first base (to get shots of pick-off attempts) or near third base (to get the runner if there's a hit). If your subject is the batter, either get as close as you can to the batter's box (so you can have a good angle to record the mighty swing) or close to first base (where you can grab a shot after he or she connects with the ball...or strikes out). What about that "over-the-umpire's-shoulder" shot from behind home plate that we mentioned earlier? It's a great position for using a long lens to capture the pitcher's grimacing facial expressions as he delivers the ball (or watches it sail over his head), but not a great position to capture the batter's face. A bit off to the side (toward first base) is better for this.

What do we mean by anticipate? We mean that you should aim your camera at the point where you expect the action to be, and preset the focus for that area. (If you're using a quick-reacting autofocus camera, you may not have to deal with this.) Let's say there are runners on second and third. The big play is most likely to be at the plate, so it makes sense to train your camera on the plate, set focus (and, as we explain in a moment, exposure)...and wait for the action to unfold. If you're right, and there is a play at home, you're ready to capture the critical moment. But don't take your eye away from the camera after you shoot the first shot. Be ready to shoot a second...and a third. Anything can happen. The ball might be dropped by the catcher. The runner may exchange a photogenic "high-five" with the on-deck batter. The manager may come storming out to protest the call. Be ready!

One other advantage of anticipating where the action will be, involves exposure. (If your camera offers quick-acting auto-exposure, you may be able to rely on it when you shoot.) Typically, one thing you have to consider during day games is that one part of the field may be in bright sun while the rest is in shadow. If you anticipate the action at home plate which is in bright sun, you can set your exposure for the bright home-plate area in advance. If you don't anticipate — and your camera does not offer quick-acting auto-exposure — your exposure may be way off.

Another important baseball photography tip: Where you have a choice of shooting action in a sunny area or a shadow area, opt for the sun. You want to shoot at the fastest possible shutter-speed to freeze the action. Deep shadows may call for a slower shutter-speed that won't stop the action. Of course, if you have no choice the first rule is: Go where the action is!

6. And finally, be prepared for the unexpected.

While it's great to be able to follow all five of the prior Commandments, they're not a straitjacket they are photography tips. Be alert for the possibility of something that makes a good picture, even though it's elsewhere on the field and you couldn't possibly anticipate it. In the words of the Boy Scouts, "Be prepared."

(We should point out that these Six Commandments are valid for just about any action team sport — be it football, soccer, hockey, basketball, volleyball, or cricket.)

What the pros use.

We can't leave this topic without discussing what the pro uses at a baseball game. We noted earlier, that the typical professional sports photographer probably uses a lens like an ƒ/2.8 300mm. Why? He or she wants to be able to stop the action wherever it happens, whether in the shade or bright sun. Your ƒ/4.5 200mm may stop the action in bright sun, but it may not be fast enough to stop the action in shady areas. That's why we advise you to use fast film or a higher ISO setting on your digital camera. The faster the film, or the higher the ISO setting, the less light you need to stop the action with your ∞/4.5.

As an alternative, you can run out and buy an ƒ/2.8 300mm or some other long and fast lens like the pros. Very impressive artillery. But should you rush out and buy one? Not unless money means nothing to you. Longer lenses are available at higher prices!

But that's not the only equipment the pro uses at a baseball game.

Naturally, pros carry more than one camera body. Plus an assortment of long lenses. Plus a monopod or tripod to steady those heavy telephoto lenses.

Professional digital SLR bodies offer high speed capture and a buffering system that allows rapid firing. This was accomplished with film SLRs using a motor drive. Pros also bring spare batteries, a charger and possibly a laptop to review and edit their pictures. The pro's gear usually includes back-up camera bodies, a light meter and a flash for close-up work before and after the game.

Today, digital cameras are the standard for photojournalist sports photography. However, you can also take photos at a baseball game using the more affordable digital point-and-shoot cameras provided you understand the limitations that many of them have.

The moral of all these baseball photography tips is that you don't need the pro's heavy artillery to take outstanding baseball photos. Just combine your existing camera with some "smarts" — apply some of the knowhow we've presented in this article — and the next time you go to the ballpark, you'll come home with some really great baseball pictures.

About the Author

The New York Institute of Photography has been a provider of high quality photography education since 1910.  With more than 100 years of experience, they've trained more successful photographers than any other school in the world.

They currently offer three great photography courses: The Complete Course in Professional Photography, The Complete Course in Digital Photography, and the Fundamentals of Digital Photography.  Located in the heart of New York City, NYIP School has graduated students of their home-study programs all over the world, currently serving students in over 150 countries worldwide.

In addition to producing these courses, the New York Institute of Photography continues to produce high-quality, original content and photography tips for anyone interested in photography.  This content is written and prepared by student advisors and instructors, who are all professional photographers employed by the school.

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Lowepro AM00844-PEU Slick Laptop Sleeve 15 - Gloss White $44.99 The Acme Made Slick Laptop Sleeve is designed to carry and protect a laptop computer with a screen up to 15". It is made from StretchShell neoprene that offers water and stain resistance while providing the padding of traditional neoprene. It has a 3/4" zipper path that allows both vertical and horizontal access for ease of use, no matter how the sleeve is carried. The sleeve has a secure handle on the spine that provides convenient carrying.

Lowepro LP36054-PEU Magnum 400 AW - Black $239.95 Lowepro?s Magnum AW shoulder bag is built on the foundation of its predecessor: the original pro bag designed in 1976 and an industry standard to this day. The next generation remains an essential toolbox for the pro photographer: extra-portable, durable and flexible. The internal dividing system provides a flexible structure to accommodate lots of gear. A premium molded base offers sturdy and stable protection, water-resistance and stackability. Carry the bag with the Vertebral Tech? Shoulder Strap: it provides comfort and spreads weight evenly?no matter how it?s worn. Additional features include: one-piece foam framing; rain-flap lid; Lowepro?s patented All Weather AW Cover?; oversized locking zippers (lock not included); metal D-rings, swivel hooks and zipper pulls; quick-release buckle on front of bag; quick-access organization pocket; 2 side pockets; 3 SlipLock? attachment loops; removable accessory pocket; laminated mesh organization pocket and mesh ID pocket on lid; 2 padded hamper handles; centered padded grab handle; trolley sleeve; removable/adjustable handcart straps on back panel; removable cinch straps on top of bag; built-in microfiber LCD cloth.

MACK 3-Year Accidenta Damage Coverage under $150 $29.95 The Digital Still, Video or Lens equipment covered by this service contract is guaranteed to operate according to manufacturer?s specifications for a period of 3 years from the date of purchase. Mack Camera & Video Service, Inc. shall repair, service or replace same to operate properly. This Mack Camera & Video Service Inc. service contract covers: * Manufacturer Defects * Impact Damage * Sand/Grit Damage * Accidental and Unintentional Abuse * Mechanical Malfunctions * Normal and Abnormal Wear and Tear * 2 Free CCD Cleanings for the Life of the Contract * 1 Free Video Head Cleaning Per Year for the Life of the Contract How to Register This service contract must be purchased within 30 days from the date the equipment covered hereunder is purchased. You must register this Service Contract within thirty (30) days of purchase with Mack Camera by visiting our website at www.mackcam.com or by calling our toll free number 800-252-MACK (6225) or 973-467-2291. How to Obtain Service In the event that this equipment requires any repair or service you must visit www.mackcam.com to obtain a Repair Authorization Number and current shipping charges. If you have any questions please feel free to visit us at www.mackcam.com or call our toll free number 800-252-MACK (6225). Limitations of Coverage This limited service contract applies only to the product specified herein. This service contract will cover one digital camera body and one lens providing that both pieces of equipment are listed on the same sales receipt. This plan is void if the registered product exceeds the service contract price category. Such service, repair or adjustment of the equipment is assured the registered contract holder. It does not cover units whose serial number has been altered, defaced or removed. This service contract does not cover accessory flashes, additional accessory lenses, batteries, lens caps, filters, power adapter, digital media, DVD?s, tapes, software, remotes, docking stations, cables, firmware upgrades or additional accessories. This service contract does not cover equipment which is damaged by: * Intentional abuse, misuse or damaged beyond recognition *Liquid Damage * Fire * Lost * Stolen Transfer Inquiries You may transfer ownership of this service contract to another person for a $20.00 administrative fee. Please visit www.mackcam.com for details. Limit of Liability Mack Camera & Video Service, Inc. will not be liable for loss of revenues or profits, inconvenience, expenses of substitute equipment, loss of use, incidental, consequential damages, loss or damage to software and digital media. If the equipment cannot be restored to manufacturer?s specifications or is deemed by Mack Camera, in its sole discretion, to be beyond economic repair, or if the unit has been repaired 3 consecutive times for the same repair and it requires a 4th repair for the same problem, Mack will replace your unit with a reconditioned model or equivalent model which will only cover manufacturer defects for the balance of the service contract or refund you the current market value of your covered equipment in U.S. Dollars This service contract is not an insurance policy or a warranty. This service contact is only valid if positive identification of the unit covered hereunder is presented at the time of service along with your proof of purchase. Mack Camera & Video Service, Inc. reserves the right to terminate service contracts if invoices are not paid within terms or are fraudulently altered by the dealer or service contract holder. The laws in your state may extend your rights or modify the terms of this Service Contract. In the event of a conflict between the terms of this Service Contract and the laws of your state, the laws of your state shall be controlling. To view the state disclosures please visit our website at www.mackcam.com.

Sakar 67mm Circular Polarizer Filter $49.95 Light rays which are reflected become polarized. Polarizing filters are used to select which light rays enter your camera lens. They can remove unwanted reflections from non-metallic surfaces such as water or glass and also saturate colors providing better contrast. The effect can be seen through the viewfinder and changed by rotating the filter. The filter factor varies according to how the filter is rotated and its orientation to the sun. Filter factor is between 2.3 and 2.8 (approx. +1.3 stops). Circular polarizers are specifically designed for use with auto-focus SLR cameras (They will also work on manual systems and video cameras without problems). This filter is a must for all outdoor sunny or snowy high glare situations. It will cut out the extra bright glare and allow you to get the true blue colors, not washed out. Most photographers view this filter as "sunglasses" for your camera lens. Circular Polarizing Filters are used to increase color saturation, like darkening blue skies so that white clouds stand out. It eliminates reflections from non-metallic surfaces like glass and water. It helps reduce softness in scenery caused by atmospheric haze. This filter will not change the overall color balance of a photograph. Polarizers are commonly used to control glare on water and to allow the camera to see below the surface. They are also used to reduce glare on car bumpers and to control reflections on plate-glass windows. Polarizers are so versatile that they can perform the opposite functions as well. Some cinematographers use polarizers to increase or enhance reflections, simply by changing the filter?s setting. "Circular" refers not to the shape, but a special design that does not interfere with metering of auto exposure or auto focus systems

TAMRAC 3442 Rally 2 Camera Bag (BROWN /TAN) $44.95 Tamrac's new Rally 2 provides a unique, new way to carry camera gear and accessories without advertising what's inside. With its slim profile, fresh look, and modern design, it doesn't look like a camera bag. Providing fast access to a compact DSLR with an 18-55mm lens attached (up to 3 "), an extra lens (including a 55-200mm) or a flash, and accessories, it allows you to carry your gear safely and discreetly. The youthful, contemporary styling and body-hugging profile won't slow you down no matter how crowded or hectic the scene. Inside the bag, a completely foam-padded compartment protects the DSLR with lens attached and additional equipment. The zippered front pocket and an open back pocket provide extra storage for manuals, accessories and personal items. While on the move, mesh side pockets provide quick access to a phone, MP3 player, or other small items. With its adjustable shoulder strap with a non-slip patch, the Rally 2 is perfect for any situation requiring a lightweight, mobile shoulder bag for your gear.

TAMRAC 3442 Rally 2 Camera Bag(BLACK/RED) $44.95 Tamrac's new Rally 2 provides a unique, new way to carry camera gear and accessories without advertising what's inside. With its slim profile, fresh look, and modern design, it doesn't look like a camera bag. Providing fast access to a compact DSLR with an 18-55mm lens attached (up to 3 "), an extra lens (including a 55-200mm) or a flash, and accessories, it allows you to carry your gear safely and discreetly. The youthful, contemporary styling and body-hugging profile won't slow you down no matter how crowded or hectic the scene. Inside the bag, a completely foam-padded compartment protects the DSLR with lens attached and additional equipment. The zippered front pocket and an open back pocket provide extra storage for manuals, accessories and personal items. While on the move, mesh side pockets provide quick access to a phone, MP3 player, or other small items. With its adjustable shoulder strap with a non-slip patch, the Rally 2 is perfect for any situation requiring a lightweight, mobile shoulder bag for your gear.

TAMRAC 3442 Rally 2 Camera Bag(BLACK) $44.95 Tamrac's new Rally 2 provides a unique, new way to carry camera gear and accessories without advertising what's inside. With its slim profile, fresh look, and modern design, it doesn't look like a camera bag. Providing fast access to a compact DSLR with an 18-55mm lens attached (up to 3 "), an extra lens (including a 55-200mm) or a flash, and accessories, it allows you to carry your gear safely and discreetly. The youthful, contemporary styling and body-hugging profile won't slow you down no matter how crowded or hectic the scene. Inside the bag, a completely foam-padded compartment protects the DSLR with lens attached and additional equipment. The zippered front pocket and an open back pocket provide extra storage for manuals, accessories and personal items. While on the move, mesh side pockets provide quick access to a phone, MP3 player, or other small items. With its adjustable shoulder strap with a non-slip patch, the Rally 2 is perfect for any situation requiring a lightweight, mobile shoulder bag for your gear.

TAMRAC 3444 Rally 4 Camera Bag (BLACK) $59.95 Tamrac's Rally 4 provides a unique, new way to carry camera gear and accessories without advertising what's inside. With its slim profile, fresh look, and modern design, it doesn't look like a camera bag. Providing fast access to a DSLR with up to a 4?" lens attached, an extra lens (including a 70-300mm f/4.5-5.6), a flash, and accessories, it allows you to carry your gear safely and discreetly. The youthful, contemporary styling and body-hugging profile won't slow you down no matter how crowded or hectic the scene. Inside the bag, a completely foam-padded compartment protects the DSLR with lens attached and additional equipment. The zippered front pocket and an open back pocket provide extra storage for manuals, accessories and personal items. While on the move, mesh side pockets provide quick access to a phone, MP3 player, or other small items. With its adjustable shoulder strap with a non-slip patch, the Rally 4 is perfect for any situation requiring a lightweight, mobile shoulder bag for your gear.

TAMRAC 3444 Rally 4 Camera Bag (BLACK/RED) $59.95 Tamrac's Rally 4 provides a unique, new way to carry camera gear and accessories without advertising what's inside. With its slim profile, fresh look, and modern design, it doesn't look like a camera bag. Providing fast access to a DSLR with up to a 4?" lens attached, an extra lens (including a 70-300mm f/4.5-5.6), a flash, and accessories, it allows you to carry your gear safely and discreetly. The youthful, contemporary styling and body-hugging profile won't slow you down no matter how crowded or hectic the scene. Inside the bag, a completely foam-padded compartment protects the DSLR with lens attached and additional equipment. The zippered front pocket and an open back pocket provide extra storage for manuals, accessories and personal items. While on the move, mesh side pockets provide quick access to a phone, MP3 player, or other small items. With its adjustable shoulder strap with a non-slip patch, the Rally 4 is perfect for any situation requiring a lightweight, mobile shoulder bag for your gear.

TAMRAC 3444 Rally 4 Camera Bag (BROWN /TAN) $59.95 Tamrac's Rally 4 provides a unique, new way to carry camera gear and accessories without advertising what's inside. With its slim profile, fresh look, and modern design, it doesn't look like a camera bag. Providing fast access to a DSLR with up to a 4?" lens attached, an extra lens (including a 70-300mm f/4.5-5.6), a flash, and accessories, it allows you to carry your gear safely and discreetly. The youthful, contemporary styling and body-hugging profile won't slow you down no matter how crowded or hectic the scene. Inside the bag, a completely foam-padded compartment protects the DSLR with lens attached and additional equipment. The zippered front pocket and an open back pocket provide extra storage for manuals, accessories and personal items. While on the move, mesh side pockets provide quick access to a phone, MP3 player, or other small items. With its adjustable shoulder strap with a non-slip patch, the Rally 4 is perfect for any situation requiring a lightweight, mobile shoulder bag for your gear.

TAMRAC 3445 Rally 5 Camera/Netbook/iPad Bag (BLACK) $69.95 Tamrac?s Rally 5 provides a unique, new way to carry camera gear, accessories, and a small laptop, without advertising what?s inside. With its slim profile, fresh look, and modern design, it doesn't look like a camera bag. Providing fast access to a DSLR with up to a 6" lens attached, additional lenses (including a 70-200mm f/2.8), a flash, and accessories, it allows you to carry your gear safely and discreetly. The interior foam-padded compartment holds the iPad and most 10.1? screen Netbooks. The youthful, contemporary styling and body-hugging profile won't slow you down no matter how crowded or hectic the scene. Inside the bag, a completely foam-padded compartment protects the DSLR with lens attached and additional equipment. The zippered front pocket and an open back pocket provide extra storage for manuals, accessories and personal items. While on the move, mesh side pockets provide quick access to a phone, MP3 player, or other small items. With its foam-padded, adjustable shoulder strap, the Rally 5 is perfect for any situation requiring a lightweight, mobile shoulder bag for your gear and a laptop.

TAMRAC 3445 Rally 5 Camera/Netbook/iPad Bag (BROWN /TAN) $69.95 Tamrac?s Rally 5 provides a unique, new way to carry camera gear, accessories, and a small laptop, without advertising what?s inside. With its slim profile, fresh look, and modern design, it doesn't look like a camera bag. Providing fast access to a DSLR with up to a 6" lens attached, additional lenses (including a 70-200mm f/2.8), a flash, and accessories, it allows you to carry your gear safely and discreetly. The interior foam-padded compartment holds the iPad and most 10.1? screen Netbooks. The youthful, contemporary styling and body-hugging profile won't slow you down no matter how crowded or hectic the scene. Inside the bag, a completely foam-padded compartment protects the DSLR with lens attached and additional equipment. The zippered front pocket and an open back pocket provide extra storage for manuals, accessories and personal items. While on the move, mesh side pockets provide quick access to a phone, MP3 player, or other small items. With its foam-padded, adjustable shoulder strap, the Rally 5 is perfect for any situation requiring a lightweight, mobile shoulder bag for your gear and a laptop.

TAMRAC 3446 Rally 6 Camera Bag (BLACK / RED) $59.95 Tamrac's Rally 6 provides a unique, new way to carry camera gear and accessories without advertising what's inside. With its slim profile, fresh look, and modern design, it doesn't look like a camera bag. Providing fast access to a DSLR with up to a 6" lens attached, extra lenses (including a 70-200mm f/2.8), a flash, and accessories, it allows you to carry your gear safely and discreetly. The youthful, contemporary styling and body-hugging profile won't slow you down no matter how crowded or hectic the scene. Inside the bag, a completely foam-padded compartment protects the DSLR with lens attached and additional equipment. The zippered front pocket and an open back pocket provide extra storage for manuals, accessories and personal items. While on the move, mesh side pockets provide quick access to a phone, MP3 player, or other small items. With its foam-padded, adjustable shoulder strap, the Rally 6 is perfect for any situation requiring a lightweight, mobile shoulder bag for your gear.

TAMRAC 3446 Rally 6 Camera Bag (BLACK) $59.95 Tamrac's Rally 6 provides a unique, new way to carry camera gear and accessories without advertising what's inside. With its slim profile, fresh look, and modern design, it doesn't look like a camera bag. Providing fast access to a DSLR with up to a 6" lens attached, extra lenses (including a 70-200mm f/2.8), a flash, and accessories, it allows you to carry your gear safely and discreetly. The youthful, contemporary styling and body-hugging profile won't slow you down no matter how crowded or hectic the scene. Inside the bag, a completely foam-padded compartment protects the DSLR with lens attached and additional equipment. The zippered front pocket and an open back pocket provide extra storage for manuals, accessories and personal items. While on the move, mesh side pockets provide quick access to a phone, MP3 player, or other small items. With its foam-padded, adjustable shoulder strap, the Rally 6 is perfect for any situation requiring a lightweight, mobile shoulder bag for your gear.

TAMRAC 3446 Rally 6 Camera Bag (BROWN / TAN) $59.95 Tamrac's Rally 6 provides a unique, new way to carry camera gear and accessories without advertising what's inside. With its slim profile, fresh look, and modern design, it doesn't look like a camera bag. Providing fast access to a DSLR with up to a 6" lens attached, extra lenses (including a 70-200mm f/2.8), a flash, and accessories, it allows you to carry your gear safely and discreetly. The youthful, contemporary styling and body-hugging profile won't slow you down no matter how crowded or hectic the scene. Inside the bag, a completely foam-padded compartment protects the DSLR with lens attached and additional equipment. The zippered front pocket and an open back pocket provide extra storage for manuals, accessories and personal items. While on the move, mesh side pockets provide quick access to a phone, MP3 player, or other small items. With its foam-padded, adjustable shoulder strap, the Rally 6 is perfect for any situation requiring a lightweight, mobile shoulder bag for your gear.

TAMRAC TR3446K $59.95 Tamrac's Rally 6 provides a unique, new way to carry camera gear and accessories without advertising what's inside. With its slim profile, fresh look, and modern design, it doesn't look like a camera bag. Providing fast access to a DSLR with up to a 6" lens attached, extra lenses (including a 70-200mm f/2.8), a flash, and accessories, it allows you to carry your gear safely and discreetly. The youthful, contemporary styling and body-hugging profile won't slow you down no matter how crowded or hectic the scene. Inside the bag, a completely foam-padded compartment protects the DSLR with lens attached and additional equipment. The zippered front pocket and an open back pocket provide extra storage for manuals, accessories and personal items. While on the move, mesh side pockets provide quick access to a phone, MP3 player, or other small items. With its foam-padded, adjustable shoulder strap, the Rally 6 is perfect for any situation requiring a lightweight, mobile shoulder bag for your gear.

TENBA TEN638703 Tenba Airbook 11x17 $179.95 When a portfolio is shipped to a print committee or potential commercial or portrait client, the way that it is shipped inevitably becomes part of the presentation. A sloppy brown box makes a bad first impression. The way that a book is transported also determines how many times it can make the rounds before it has to be retired because it?s too beat up. Tenba Airbooks are designed to move portfolios and prints safely, time after time.